David R. Walker

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The Lost City

Directors: Adam and Aaron Nee

Cast: Sandra Bullock, Channing Tatum, Brad Pitt, Daniel Radcliffe, Oscar Nunez, Da’Vine Joy Randolph, Bowen Yang, Hector Anibal, Thomas Forbes-Johnson

Running Time: 1 hour and 52 minutes

Film Premiere: South by South West Film Festival – Austin, Texas, USA SXSWFF – March 2022

Film Rating: 7 out of 10

Directing duo and brothers Adam and Aaron Nee bring the fun filled adventure comedy The Lost City starring Sandra Bullock as best selling romance novelist Loretta Sage and Channing Tatum as her handsome buff cover model Dash as they have to contend with an evil media mogul wonderfully played with a sort of British panache by Harry Potter star Daniel Radcliffe.

The Lost City had its world premiere at the South by South West Film Festival in Austin, Texas, USA in March 2022 and clearly the brothers drew massive inspiration from the highly successful 1984 adventure film Romancing the Stone starring Michael Douglas, Kathleen Turner and Danny Devito.

The onscreen chemistry between Oscar winner Sandra Bullock (The Blind Side) and Magic Mike star Channing Tatum is undeniable and clearly both actors had loads of fun making this popcorn adventure film. Audiences should look out for a brief appearance by Oscar winner Brad Pitt (Once Upon a Time in Hollywood) who plays the action man Jack Trainer who when initially rescuing Loretta Sage says to him:

“Why are you so Handsome?”

Trainer replies casually after taking out six swarthy looking Dominicans, “My Father was a Weatherman!”

Other notable performances is Da’Vine Joy Randolph (The United States vs. Billie Holiday) as Loretta’s exasperated publisher and book agent Beth Hatten who takes it upon herself to track down her No. 1 wayward romance adventure novelist Loretta Sage after mysteriously being kidnapped by the crazy Abigail Fairfax played by Daniel Radcliffe (Victor Frankenstein, Kill Your Darlings, Harry Potter and the Deathly Hallows) who clearly relished the chance of playing the villain in The Lost City.

It was comforting to see a near full auditorium when watching The Lost City and if audiences love an entertaining action adventure comedy then this film is for them.

Directors Adam and Aaron Nee kept the tone of the film extremely light making it a pure escapist adventure film helped by the sheer entertainment value of seeing the Miss Congeniality star Sandra Bullock act opposite two much younger leading men: the hilarious Channing Tatum and the super talented Daniel Radcliffe.

Take the kids, go and watch The Lost City, it’s a well-rounded adventure film shot in the Dominican Republic. The Lost City gets a film rating of 7 out of 10 and is recommended viewing.

The 75th British Academy Film Awards, also known as the BAFAs, were held on 13 March 2022 at the Royal Albert Hall in London, honouring the best national and foreign films of 2021.

Best Film: The Power of the Dog

Best Director: Jane Campion – The Power of the Dog

Best Actor: Will Smith – King Richard

Best Actress: Joanna Scanlan – After Love

Best Supporting Actor: Troy Kotsur – CODA

Best Supporting Actress: Ariana de Bose – West Side Story

Best British Film: Belfast directed by Kenneth Branagh

Best Original Screenplay: Licorice Pizza – Paul Thomas Anderson

Best Adapted Screenplay: CODA

Best Costume Design: Jenny Beavan – Cruella

Best Foreign Language Film: Drive My Car directed by Ryûsuke Hamaguchi

Rising Star Award: Lashana Lynch

Ambulance

Director: Michael Bay

Cast: Jake Gyllenhaal, Yahya Abdul-Mateen II, Eiza Gonzalez, Garret Dillahunt, Keir O’Donnell, Jackson White, Moses Ingram, Colin Woodell, Cedric Sanders

Running Time: 2 hours and 16 minutes

Film Rating: 6.5 out of 10

Transformers and Armageddon director Michael Bay returns to the big screen with a California heist film Ambulance set in downtown Los Angeles and features to foster brothers Danny and Will Sharp played respectively by Oscar nominee Jake Gyllenhaal (Brokeback Mountain) and Emmy winner Yahya Abdul-Mateen II (Watchmen).

Danny lures Will into helping him with one last heist job at a Federal building in downtown Los Angeles and soon everything literally goes pear-shaped and amidst a massive shootout, Danny and Will escape in an ambulance transporting a wounded police officer played by Jackson White and accompanied by a beautiful headstrong paramedic Cam Thompson played by Eiza Gonzalez last seen in Baby Driver.

Captain Monroe, played by Garrett Dillahunt (12 Years a Slave, No Country for Old Men) and his band of armed policemen try to pursue the Ambulance until Danny Sharp unwittingly calls in the assistance of the Mexican gang to distract the police as the chase continues through the myriad of freeways, off ramps and roadways of downtown Los Angeles.

Director Michael Bay frames the city shots of Los Angeles with some sweeping takes including all the downtown skyscrapers whilst also managing to capture the trauma and anxiety of what is happening inside the Ambulance including keeping police officer Zach alive while the vehicle is being shot at and chased incessantly.

As the situation becomes increasingly desperate, the outlandish narrative takes too long to wrap up even though the action keeps audiences glued to the screen. At 2 hours and 16 minutes, Ambulance could have been edited by at least half an hour.

If audiences enjoy a good action, car chase bank robbery film, then Ambulance is just for you. It’s filled with crazy car chases, sweeping road carnage and enough plot twists to keep audiences guessing right up until the medical vehicle reaches its intended destination.

Jake Gyllenhaal and Yahya Abdul-Mateen II both are very good in their respective roles particularly the latter as he realizes how crazy his estranged foster brother really is. Let’s face it, Jake Gyllenhaal can play crazy in a cool kind of way!

Ambulance is an entertaining heist action film, big on flashy images of a city scape twisted by glass skyscrapers and fast cars on freeways featuring some desperate characters trying to get out of a really tense situation.

Ambulance gets a film rating of 6.5 out of 10 and while not entirely plausible, it certainly is a perfect popcorn action flick.

94th Academy Awards took place on Sunday 27^th March 2022 at the Dolby Theatre in Hollywood, Los Angeles.

Best Picture: CODA

Best Director: Jane Campion – The Power of the Dog

Best Actor: Will Smith – King Richard

Best Actress: Jessica Chastain – The Eyes of Tammy Faye

Best Supporting Actor: Troy Kotsur – CODA

Best Supporting Actress: Ariana deBose – West Side Story

Best Original Screenplay: Kenneth Branagh – Belfast

Best Adapted Screenplay: Sian Heder – CODA

Best Cinematography: Greig Fraser – Dune

Best Costume Design: Jenny Beavan – Cruella

Best Make up & Hairstyling: The Eyes of Tammy Faye

Best Visual Effects: Dune

Best Film Editing: Joe Walker – Dune

Best Sound: Dune

Best Production Design: Dune

Best Documentary Feature:  Summer of Soul directed by Questlove, Joseph Patel, Robert Fyvolent and David Dinerstein

Best Documentary Short Subject: The Queen of Basketball – directed by Ben Proudfoot

Best Live Action Short Film:

Best Original Score: Hans Zimmer – Dune

Best Original Song: No Time to Die – Billie Eilish and Finneas O’Connell

Best Animated Feature Film: Encanto

Best Animated Short Film:

Best Foreign Language Film: Drive My Car directed by Ryusuke Hamaguchi (Japan)

Mothering Sunday

Director: Eva Husson

Cast: Odessa Young, Josh O’Connor, Oscar winner Colin Firth (The King’s Speech), Oscar winner Olivia Colman (The Favourite), Oscar winner Glenda Jackson (Women in Love, A Touch of Class), Patsy Ferran, Emma D’Arcy, Caroline Harker, Emily Woof, Sope Dirisu, Craig Crosbie, Simon Shepherd

Running Time: 1 hour 44 minutes

Film Rating: 7 out of 10

In a similar tone to director Joe Wright’s film adaptation of Ian McEwan’s novel Atonement, French director Eva Husson boldly adapts acclaimed British author Graham Swift’s 2016 period romance novel Mothering Sunday to the big screen featuring some startlingly fresh and candid performances by Odessa Young and Josh O’Connor as the ill-fated lovers.

Rising star Josh O’Connor best known for his portrayal of the young Prince Charles in the Netflix series The Crown plays the only surviving son Paul Sheringham, a wealthy aristocrat who has an explicit affair with the house maid of his parents’ best friends The Nivens, wonderfully played respectively by Oscar winners Colin Firth (The King’s Speech) and Olivia Colman (The Favourite).

The nubile and unconventional housemaid in question is the beautiful Jane Fairchild, gorgeously played by the Australian actress Odessa Young.

Set almost entirely on a beautiful Spring day on the 30^th March 1924, Jane Fairchild takes advantage of her liberty and commits to an illicit liaison with Paul Sheringham at his family estate before he is meant to meet his parents and future fiancée Emma Hobday played by Emma D’Arcy for a lavish lunch. Much of the film takes place during this gorgeous day as Paul and Jane spend a forbidden and passionate morning together while some of Paul’s stuffy family members and friends are expecting his arrival at a very elegant lunch at Henley on Thames.

Mothering Sunday is a French take on how they view the British upper classes and director Eva Husson beautifully uses the young lovers in all their nudity to expose the decay of the rigid class lines that used to keep the British class system intact, which began unravelling spectacularly between the two World Wars.

Without the moral depth or psychological complexity of Atonement, Mothering Sunday is a stunning and sensual period film about forbidden love and the journey one young woman takes to becoming a writing, her courage to change her accepted place in society and evolve from being a housemaid to eventually becoming a famous writer.

At the end of the film the central character is seen in contemporary times and Jane Fairchild as a mature and established writer is portrayed by 1970’s Oscar winner and screen legend Glenda Jackson (A Touch of Class, Women in Love) as she ruminates thoughtfully on her success at becoming a famous writer while looking back on that one fateful encounter with a posh young man which would change her life and inspire her creative genius.

Mothering Sunday is a languid British period film which is drawn out in parts but equally provocative.

Held together by a top calibre supporting cast, Mothering Sunday gets a film rating of 7 out of 10 and is worth seeing especially for the central performances by the two young and talented stars: Josh O’Connor and Odessa Young.

The Batman

Director: Matt Reeves

Cast: Robert Pattinson, Zoe Kravitz, Colin Farrell, Paul Dano, Jeffrey Wright, John Turturro, Peter Sarsgaard, Andy Serkis, Rupert Penry-Jones, Barry Keoghan

Running Time: 2 hours and 56 minutes

Film Rating: 8.5 out of 10

War for the Planet of the Apes director Matt Reeves goes full out for the highly anticipated Batman remake simply called The Batman featuring Robert Pattinson as the stubbled caped crusader ready to fight off all Gotham’s evil creatures. In this case there are several.

Drawing massive inspiration from such films as Ridley Scott’s Blade Runner and David Fincher’s Seven, Matt Reeves paints Gotham as a dark and seedy metropolis filled with particularly twisted individuals, corrupt politicians and a serial killer that leaves cryptic clues while he livestreams killing his victims.

Gotham becomes a City of Vengeance as The Batman has to battle the entirely twisted The Riddler superbly played with a particular sinister panache by Paul Dano (There will be Blood, 12 Years a Slave, Little Miss Sunshine). Paul Dano’s The Riddler accurately rivals Joaquin Phoenix’s Oscar winning portrayal of Joker in 2019.

Besides The Riddler that Batman has to contend with, there is the slinky Catwoman wonderfully played with a nefarious independence by Zoe Kravitz (Mad Max: Fury Road). The onscreen chemistry between Kravitz and Pattinson is electrifying as they reluctantly band together to track down The Riddler while also dealing with The Penguin played by an unrecognisable Colin Farrell (In Bruges, The Gentleman, The Beguiled) who is the henchman to the reclusive city gangster Carmine Falcone superbly played by John Turturro (Barton Fink, Quiz Show, Jungle Fever).

Screenwriters Matt Reeves and Peter Craig delve into all the Bruce Wayne mythology, including the dark and treacherous past of Bruce Wayne’s wealthy parents and their link with the Arkham asylum.

Robert Pattinson comes across as a less confident Batman, a Billionaire cape crusader less comfortable with becoming the saviour of the city, until he reconciles that this is his destiny. Pattinson’s Batman is far different from Ben Affleck as the arrogant Batman or Christian Bale as the wealthy, snobbish Batman who feels that it his right to defend the city because he inherited billions.

Pattinson is brilliant in the role of The Batman giving the iconic screen character a three dimensionality never seen before especially when forced to deal with the criminally insane but ingenious The Riddler who Paul Dano portrays as an extraordinary orphan with a meticulous grudge to bear against the rich, corrupt and powerful. 

From the seedy nightclubs of Gotham including 44 below, from Zoe Kravitz’s excellent interpretation of Catwoman, from the brilliant pacing of the film, from the quietly dark periods before the explosions rock the outskirts of Gotham and all hell breaks loose, The Batman gets a film rating of 8.5 out of 10.

This is a long film but director Matt Reeves gives every cinema goer their money’s worth. This interpretation of The Batman is enthralling, gothic and grungy. Highly recommended viewing.

Belfast

Director: Kenneth Branagh

Cast: Jamie Dornan, Caitriona Balfe, Judi Dench, Ciaran Hinds, Jude Hill, Lewis McAskie

Film Rating: 9 out of 10

Running Time: 1 hour and 38 minutes

Director Kenneth Branagh delivers a stunning film, a cinematic ode to his childhood in Belfast in the film Belfast featuring an excellent cast including Jamie Dornan (The 9^th Life of Louis Drax), Caitriona Balfe (Ford v Ferrari) Oscar winner Judi Dench (Shakespeare in Love) and Ciaran Hinds (Tinker Tailor Soldier Spy, Hamlet).

Set in August 1969, when the troubles began in Belfast, the entire film is viewed through the eyes of 9 year old boy Buddy brilliantly played by Jude Hill in his first ever cinematic role.

Shot mostly in Black and White, Belfast is an excellent film held together by superb supporting performances particularly from Judi Dench and Ciaran Hinds as Buddy’s grandparents who are ultimately the ones that he will leave behind.

As buddy’s parents’ battle with the political and economic instability of Belfast at the end of the 1960’s the lure of safer work opportunities in England, Buddy has to contend with his parents making this momentous decision to emigrate and leave for a more secure future.

As emigration and exodus affects families and communities around the world even more pertinently today from the Ukraine to South Africa, Belfast is an extremely relevant story, an ode to a city that was torn apart by sectarian violence and looting. Belfast could be a stand in for any city in the world that has experienced such devastation when the root of all communities is pulled out. That root is the family.

What makes Belfast as mesmerizing as a film is director Kenneth Branagh’s unique perspective on an extremely difficult topic: a family’s decision to emigrate from their home country amidst increasing political instability.

Peppered with shots from old films and trips to the theatre, Belfast is a brilliantly poignant film, expertly captured and shot by director Kenneth Branagh and beautifully acted by the entire cast from Jamie Dornan and Caitriona Balfe as Buddy’s parents to the sad acceptance and subtle strength of Buddy’s grandparents who soon realize that their son and his family and their grandchildren will be leaving them forever.

With a mixture of mischief and innocence, the superb performance of Jude Hill as Buddy is the emotional centre of the entire story of Belfast.

Both Judi Dench and Ciaran Hinds are phenomenal as Buddy’s caring but stoic grandparents and deserve all the acting accolades already heaped upon them.

Belfast gets a film rating of 9 out of 10 and is highly recommended viewing, a fitting and beautiful tribute to a city torn apart by strife but then slowly re-emerging as the stable and flourishing capital of contemporary Northern Ireland.

Uncharted

Director: Ruben Fleischer

Cast: Tom Holland, Mark Wahlberg, Antonio Banderas, Sophia Ali, Tati Gabrielle, Steven Waddington

Film Rating: 7 out of 10

Running Time: 1 hour 56 minutes

Gangster Squad and Venom director Ruben Fleischer delivers a slick and glossy adventure film Uncharted set in New York City, Barcelona and the Philippines featuring the man of the moment British star Tom Holland as Nathan Drake opposite Oscar nominee Mark Wahlberg (The Departed, The Fighter) as Victor Sullivan.

Based upon the Playstation action adventure video game, Uncharted tracks the adventures of the treasure hunter Nathan Drake as he searches for his long last brother whose last words are “Things are lost but not gone”. Nathan gets ensnarled into an international search for the Spanish explorer Magellan’s gold which is rumoured to be somewhere in the Philippines archipelago.

Drake teams up with trickster Victor Sullivan as they track down an infamous gold and ruby encrusted ancient cross from a swish auction house in New York City to Barcelona as the duo come across an array of equally dodgy characters including the wealthy Spaniard Santiago Moncada wonderfully played by Oscar nominee Antonio Banderas (Pain and Glory) the mysterious Braddock played by Tati Gabrielle and the gruff Scotsman played by Steven Waddington (The Last of the Mohicans, The Imitation Game).

While the first half of Uncharted takes a while to get going, the onscreen chemistry between Tom Holland and Mark Wahlberg is mesmerizing particularly as it is mostly the extremely buff and energetic Tom Holland fresh from his hugely successful blockbuster Spiderman: No Way Home that performs most of the outrageous stunts from dangling from light fitting in Manhattan to sky diving out of aeroplanes with sports cars over the Philippines.

The second half of Uncharted is pure entertainment much like a real action adventure story and is worth seeing. While the script of Uncharted is not superb, it’s also not meant to be as this is a film based on a video game. The main idea is to have the live action characters embodied on screen by two extremely likeable actors who should attract a large audience.

Clearly Tom Holland and Mark Wahlberg had loads of fun making this film and ensuring that audiences leave the cinema with a smile on their face as the closing credits role on. And be sure to stay beyond the ending for a hint that Uncharted will be the start of a franchise.

Look out for a captivating Sophia Ali as Chloe Frazer as the love interest of Nathan Drake.

Uncharted is basically an Indiana Jones for the Instagram generation and which better actor to put in lead role than the gorgeous Tom Holland who proves he can hold his own in a big budget action film which doesn’t involve spandex or CGI.

Fabulously entertaining and packed with action and adventure, Uncharted gets a film rating of 7 out of 10. Recommended viewing.

Death on the Nile

Director: Kenneth Branagh

Cast: Kenneth Branagh, Tom Bateman, Annette Bening, Letitia Wright, Russell Brand, Sophie Okonedo, Rose Leslie, Emma Mackey, Armie Hammer, Gal Gadot, Dawn French, Jennifer Saunders, Ali Fazal

Running time: 2 hours and 7 minutes

Film Rating: 7 out of 10

The much anticipated remake of Death on the Nile is finally in cinemas and it is worth seeing. Agatha Christie’s who dunnit set on a riverboat steamer on the Nile in Egypt is one of her most famous murder mystery novels first published in November 1937.

The original film was made in 1978 and featured a fantastic cast including Peter Ustinov, Mia Farrow, Jane Birkin, Bette Davis and Angela Lansbury.

The 2022 remake features an equally fabulous and diverse cast including multiple Oscar nominee Annette Bening (American Beauty, The Grifters, Being Julia), Tom Bateman, Letitia Wright (Black Panther), Armie Hammer (Call Me By Your Name) and unrecognizable Russell Brand.

With lavish costumes and an equally exotic setting in Egypt, the 21^st century version of Death on the Nile is entertaining but not awe inspiring.

Fortunately writer and director Kenneth Branagh reprises his role as the infamous Belgian detective Hercule Poirot and this time he gives the character some backstory fighting in World War 1 in Belgium and the origins of that unbelievably outlandish moustache which was the talking point of his first remake Murder on the Orient Express back in 2017.

In Death on the Nile a wealthy heiress Linnet Ridgeway beautifully played by Gal Gadot (Wonder Woman) is found murdered on her honeymoon cruise up the Nile. All the suspects are on board and danger lurks in every cabin. The action takes place between London and Egypt in 1937. The costumes and the music perfectly match the ambience of the setting.

Fussy Belgian Hercule Poirot is on board to make the necessary deductions as the bodies start piling up, soon to be entombed like Egyptian mummies similar to the Pharaohs in the Valley of the Kings.

Glossy, lavish and extremely beautiful to watch, Death on the Nile is an exciting murder mystery set on one of the world’s most exotic countries: Egypt. Director Kenneth Branagh makes full use of all the ancient symbolism of the Pyramids and the exterior shots of the Nile River are gorgeous.

Without revealing any more details beyond the odd green scarf and crimson pigment disappearing mysteriously, everybody is a suspect and they are all armed and ready to defend themselves.

Death on the Nile gets a film rating of 7 out of 10 and is really entertaining and it is comforting to collectively watch a murder mystery in a cinema that was full again.

Now all director Kenneth Branagh has to do is tackle Evil Under the Sun…

Being the Ricardo’s

Director: Aaron Sorkin

Cast: Nicole Kidman, Javier Bardem, J. K. Simmons, Nina Arianda, Jake Lacey, Clark Gregg, Christopher Denham, Tony Hale, Alia Sawkat

Film Rating: 8.5 out of 10

Running Time: 2 hours and 11 minutes

This film is only available to watch on Amazon Prime.

Despite the extremely limited release of Being The Ricardo’s, the casting genius of having Oscar winners Nicole Kidman (The Hours) and Javier Bardem (No Country for Old Men) play husband and wife pays off in this talkative Aaron Sorkin film pays off.

Kidman and Bardem are absolutely superb playing the film and TV star Lucille Ball and her Cuban husband Desi Arnaz and it is a real treat to watch both actors feed off each other’s immeasurable talent.

The tumultuous marriage of Lucille Ball and Desi Arnaz is vividly captured in Being The Ricardo’s as they work together on the hit TV show I Love Lucy, filming all the while in the late 1950’s in Los Angeles amidst the tail end of the McCarthyism Anti-Communism trials which affected the American Film and Television industry as Republican senator Joseph McCarthy targeted the entertainment industry as being a cesspool for communist sympathizers, whipping up Anti-Communist sentiment in America which was rife in the 15 years following the end of World War 2.

Audiences just need to read Arthur Miller’s The Crucible as a cultural point of reference for his allegorical play about the Salem Witch trials of 1692 in Massachusetts. Arthur Miller himself was targeted by the Committee for Un-American Activities.

Fortunately for writer and director Aaron Sorkin, Being the Ricardo’s is exceptionally well researched but what really shines through is the brilliant acting of Nicole Kidman and Javier Bardem.

Both are experienced actors and their portrayal of Lucille Ball and the suave and charismatic Cuban entertainer Desi Arnaz is perfect. In actual fact, Javier Bardem is as good as Nicole Kidman and to add into this are the supporting cast most notably Oscar winner J. K. Simmons (Whiplash) playing drunken actor William Frawley.

There is a superb scene in Being the Ricardo’s when William Frawley takes Lucille Ball to a dive bar at 10am in Hollywood to escape the histrionics on the set of I love Lucy, which at that point in the late 1950’s was sponsored by the American Tobacco company Philip Morris to assuage her feelings of control and her constant suspicion of her Cuban husband Desi of committing adultery.

Like The Trial of the Chicago 7 spotlighted a particular event in American socio-political history, Being The Ricardo’s is a slice of American entertainment history superbly acted by Nicole Kidman and Javier Bardem as all the suspicions surrounding infidelity and being a communist sympathiser are heightened on the night of the live filming of I Love Lucy. The rest is pure dress rehearsal.

If audiences can get to watch Being The Ricardo’s make sure to see it for the excellent performances by Nicole Kidman and Javier Bardem, their combined acting talents are enthralling.

Being the Ricardo’s gets a film rating of 8.5 out of 10 and is highly recommended viewing.