David R. Walker

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Wakanda Forever

Director: Ryan Coogler

Cast: Letitia Wright, Angela Bassett, Lupita Nyong’o, Winston Duke, Danai Gurira, Tenoch Huerta, Martin Freeman, Dominique Thorne, Julia Louis-Dreyfus

Running Time: 2 hours and 41 minutes

Film Rating: 7 out of 10

When Black Panther star Chadwick Boseman died unexpectedly in August 2020, it left a film franchise without a definite superhero scuppering director Ryan Coogler’s plans for a sequel. However not to be daunted the Creed director forged ahead with a lavish sequel retaining most of the original cast except for Oscar winner Daniel Kaluuya (Judas and the Black Messiah) and of course Boseman himself.

The lavish fantasy sequel Wakanda Forever is part of phase four in the Marvel Cinematic Universe and is certainly a spectacle to behold as Letitia Wright takes a much bigger role as Shuri as she tries to hold the Kingdom of Wakanda together amidst a new threat from an underwater Mayan civilization led by King Namor played by Mexican actor Tenoch Huerta who has all sorts of evading oceanic abilities.

As Wakanda and the devious Mayans fight it out for the vibranium that is remaining, the conflict gets the attention of the US government represented rather blandly by characters Everett K. Ross played by Martin Freeman and Valentina played by Julia Louis-Dreyfus.

At 2 hours and 41 minutes, Wakanda Forever is very long and really a lavish tribute to its main late star Chadwick Boseman who made the original Black Panther so riveting, but what is left is a superhero movie without a definitive hero, leaving the middle of the film bloated.

Oscar nominee Angela Bassett (What’s Love Got to do With it?) reprises her role as Queen Ramonda as does Oscar winner Lupita Nyong’o (12 Years a Slave) as Nakia, which helps elevate the convoluted plot. Fortunately Lupita Nyong’o lifts the spirit of the film by her excellent acting.

Visually, Wakanda Forever is stunning and is efficiently directed by Ryan Coogler although the middle of the film was lacking and at times, the viewer might be forgiven for thinking they are watching the Avatar sequel with all those blue Mayans swimming around.

As the action travels around the globe from Haiti to Cape Verde to Cambridge, Massachusetts whereby Shuri and the warrior Okoye played excellently by Danai Gurira track down a science genius played energetically by Dominique Thorne.

Viewers must realise that they are watching complete fantasy and in that genre, Wakanda Forever excels and there are some light hearted moments provided by M’Baku played by Winston Duke. What was interesting in Wakanda Forever was the complete lack of male actors in this sequel compared to the original film.

Despite its visual dazzle, the storyline falters and Wakanda Forever only gets a film rating of 7 out of 10.

Recommended viewing for those that enjoyed Black Panther and follow the entertaining Marvel Cinematic Universe.

Emily

Director: Frances O’Connor

Cast: Emma Mackey, Oliver Jackson-Cohen, Gemma Jones, Fionn Whitehead, Adrian Dunbar, Alexandra Dowling, Amelia Gething, Harry Anton, Elijah Wolf

Running Time: 2 hours and 10 minutes

Film Rating: 7.5 out of 10

Mansfield Park actress Frances O’Connor makes her directorial debut with the new period drama Emily based on the brief but vivid life of British novelist Emily Bronte who penned the classic novel Wuthering Heights.

Anglo-French actress Emma Mackey takes on the title role capping off a succession of period films in 2022 from Death on the Nile to Eiffel and fortunately Mackey is brilliant as the headstrong Emily Bronte.

Set in the decade before the publication of Wuthering Heights in 1847, Emily focuses on the inspiration behind such an astounding novel and her complex relationship with equally famous sister Charlotte Bronte played by Alexandra  Dowling. Between the sibling relationships, Emily has to contend with a passionate love affair with the dashing curate Weightman played by rising British star Oliver Jackson-Cohen (The Lost Daughter).

While unable to escape the influence of her father played by Adrian Dunbar, Emily gets entangled in a bad sibling relationship with her undesirable brother Branwell Bronte, a regular at the local pub and a frequent consumer of opium. Branwell, superbly played by Dunkirk star Fionn Whitehead influences Emily into a range of undesirable activities mostly radical from voyeurism to drug taking, while chanting the mantra Freedom of Thought.

Whilst the sensible Charlotte Bronte has no time for her brother’s antics, Emily is entirely susceptible until eventually their father Patrick Bronte separates the siblings.

Emily discovers how complicated love can be, especially with a devoted man of God. The doomed love affair between Emily and Weightman is expertly captured in the seduction scene on a Yorkshire moor beautifully played by Emma Mackey and Oliver Jackson-Cohen as both actors struggle to untangle themselves from their restrictive Victorian clothing, a cinematic metaphor for the pervading morality which frowned upon acted out on one’s sexual desires.

Actress turned director Frances O’Connor does a relatively good job of directing Emily, keeping it extremely historically accurate while balancing the focus of the friction filled relationship between the two gifted Bronte sisters, both of whom would make a massive contribution to English Literature with the publication of their novels Wuthering Heights and Jane Eyre. However, the director could have got some editing tips as Emily does linger too long and occasionally loses focus.

Emily gets a film rating of 7.5 out of 10 and is saved by a superb cast that does justice to the legacy of the Bronte sisters. This film is recommended for those that enjoy a literary period film set in Victorian England.

Triangle of Sadness

Director: Ruben Ostlund

Cast: Harris Dickinson, Woody Harrelson, Charlbi Dean, Zlatko Buric, Dolly De Leon, Hanna Oldenburg, Vicki Berlin, Alicia Eriksson, Sunnyi Melles

Running time: 2 hours and 27 minutes

Film Rating: 8 out of 10

From vacuous fashion models to the super wealthy stranded on a luxury yacht when things go awry, Swedish director Ruben Ostlund’s savage satire on the selfie generation, the extreme fascination fueled by social media with affluence, luxury and beauty is fully explored with cynicism in his award winning film Triangle of Sadness which won the coveted Palme D’Or (Best Picture Prize) at the 2022 Cannes Film Festival.

British actor Harris Dickinson (The King’s Man, Where the Crawdads Sing) stars as Karl, a male fashion model whose beautiful looks and gorgeous body ensures that he does get out of any situation relatively unscathed. Karl is accompanied by the beautiful Yaya played by the late fashion model turned actress Charlbi Dean who came from Cape Town, South Africa who tragically passed away in New York City at the age of 32 in August just three months after the Triangle of Sadness’s electrifying premiere at the Cannes Film Festival in May 2022.

The first section of the film focuses on the shifting gender dynamics in the complex relationship between Karl and Yaya as they argue who is going to pay for the bill at an expensive European restaurant. The real grit of the film starts in the second section of the film whereby Karl and Yaya have won passage aboard a luxury superyacht as influences whereby they meet an array of extremely wealthy people all of whom have gained their affluence through dubious means from manufacturing hand grenades to cornering the Eastern European market on fertiliser.

Oscar nominee Woody Harrelson (The People vs Larry Flynt, Three Billboards outside Ebbing, Missouri) appears briefly as the reckless ship’s captain as he is mostly drunk when things literally go pear-shaped at the Captain’s dinner, from the first hint of chaos to the absolute carnage as glamourous guests are puking after eating caviar and the ship starts getting wrecked in a massive storm before being attacked by Mediterranean pirates. All this is occurring while the cleaning staff wait patiently below deck for the dinner to be completed. The cleaning staff are headed up by chief toilet manager, Abigail played by Dolly De Leon, whose performance deserves some recognition at the 2023 Oscars for Best Supporting Actress.

As the third section of the film arrives, some of the surviving guests are stranded on a supposedly uninhabited island in the Mediterranean, whereby Abigail takes charge and soon uses the beautiful Karl for much more than just fire building. As the gender and class dynamics shift again, Abigail and Yaya go in search of what is happening on the other side of the island only to find some form of an illustrious civilization, which proves tantalizing to both.

Director Ruben Ostlund’s brilliant three part satire on the super rich is repulsively fascinating, brilliantly cast and perfectly orchestrated featuring some memorable scenes, deadpan Scandinavian film aesthetic and deserves to be seen especially the superb ending.

Triangle of Sadness gets a film rating of 8 out of 10 and features more cynicism than optimism. Highly recommended viewing as it’s a beast of a film.

Black Adam

Director: Jaume Collet-Serra

Cast: Dwayne Johnson, Pierce Brosnan, Qunitessa Swindell, Aldris Hodge, Noah Centineo, Sarah Shahi, Marwan Kenzari. Bodhi Sabongui, Henry Winkler, Djimon Hounsou, Viola Davis

Film Rating: 7 out of 10

Running Time: 2 hours and 4 minutes

The Spanish director of Jungle Cruise and The Commuter, Jaume Collet-Serra assembles an interesting cast for his first foray into the Superhero universe with his new film Black Adam featuring Dwayne Johnson (Hobbs and Shaw, Jungle Cruise) in the title role.

In a fictitious Middle East looking country named Kahndaq, which is meant to resemble Egypt, an ancient god named Teth Adam was re-awakened after 5000 years. However Teth Adam as a God is out for revenge and brutally unleashes the power of the Gods with no mercy.

When Adrianna Tomaz played by Sarah Shahi and her son Amon unleash the power of Teth Adam soon the Justice Society is re-assembled by Amanda Waller played again by Oscar winner Viola Davis (Fences) to go and investigate what this new god is and whether he can become a superhero.

The Justice Society consists of a fascinating mix of superheroes from the debonair Dr Fate wonderfully played with panache by former Bond star Pierce Brosnan (Mamma Mia, The Foreigner) to Hawkman played by Aldris Hodge (Hidden Figures); from the beautiful Cyclone played by Quintessa Swindell (Granada Nights) to Atom Smasher played by Noah Centiano who all arrive on Kahndaq to fight it out against an angry Teth Adam also known as Black Adam.

While the Justice Society and Black Adam battle each other in a visually spectacular scene, they really need to focus on who the real enemy is: Ishmael, a descendant of the first king of Kahndaq and leader of intergang, played by Marwan Kenzari (Aladdin). As the Justice Society and Black Adam start aligning their objectives, Adrianna’s son Amon superbly played by Egyptian Polish actor Bodhi Sabongui is kidnapped by the Intergang.

While the storyline of Black Adam is convoluted, director Jaume Collet-Serra makes the film visually spectacular grounding the film firmly in the fantasy superhero genre with excellent special effects and spell bounding action scenes.

Dwayne Johnson is likeable as Black Adam, although the superhero mantle does sit quite wearily on his head, making his casting choice questionable. However, Johnson is such a megastar that audiences will come to see him in anything.

Certainly entertaining, Black Adam is a bizarre and lavish fantasy action adventure filled with multiple superhero’s, zombies and crazy gods and gets a film rating of 7 out of 10 and audiences must stay for the very end to see a cameo appearance.

Great Freedom

Director: Sebastian Meise

Cast: Franz Rogowski, Georg Friedrich, Anton von Lucke, Thomas Prenn

Running Time: 1 hour 56 minutes

This film is in German with English Subtitles

Please note this film is sexuality explicit and contains images of drug use

Austrian director Sebastian Meise’s intensely explicit homosexual prison drama Great Freedom won the Un Certain Regard Jury Prize at the 2021 Cannes Film Festival and is held together by two powerful performances by Franz Rogowski who plans renown homosexual Hans Hoffman and Georg Friedrich (Narcissus and Goldmund) who plays fellow prisoner and frequent drug user Viktor.

Hans is imprisoned under paragraph 175 for being homosexual when in post-war Germany homosexuality was criminalized. Even though Germany has been liberated by the Allies at the end of World War II, paragraph 175 still remains law and Hans tries to survive in prison by doing sewing and occasionally snatching brief sexual liaisons with younger gay men in prison, specifically played by Anton von Lucke as Leo Griese and Thomas Prenn as Oskar. However, the precocious Hans is for ever in trouble often being sent to solitary confinement.

Soon Hans befriends his cellmate Viktor who is so called straight but despite their different sexual preference, a bond of loyalty and love begins to form within the claustrophobic environment of a men’s prison in post-war Germany.

As the years pass, Hans manages to free the younger men including Leo and Oskar, however he remains in prison with Viktor until the revision of paragraph 175 in Germany in the early 1970’s. After Hans and Viktor’s relationship intensifies, the revision of paragraph of 175 allows Hans to go free.

As Hans realizes his new freedom and explores the sexual permissibility of 1970’s Germany he is forced to make a difficult choice. Great Freedom is a tender and explicit look at love in an impossible time and chronicle’s a struggle for equality for the LGBT community at a time when any deviant lifestyle was subjected to scrutiny and strict criminalization.

German actor Franz Rogowski is brilliant as the beautiful Hans Hoffman, an imprisoned gay man who bares all in an exceptionally provocative performance which makes such American portrayals of gay men in films like Milk or Brokeback Mountain positively tame.

Rogowski is superb as a stoic sexual deviant Hoffman in a world which was completely against him and made his life extremely difficult. The ending of Great Freedom is clever in it’s ambiguity supplanting a social crime with an actual one.

In a similar vein to the excellent Kiss of the Spiderwoman, director Sebastian Meise’s brilliant Great Freedom is a provocative gay prison drama involving a fight for equal rights and an unbridled passion between two lovers fuelled by suppressive captivity. Great Freedom gets a film rating of 7.5 out of 10 and is recommended viewing especially for the LGBT community.

Mrs Harris Goes to Paris

Director: Anthony Fabian

Cast: Lesley Manville, Isabelle Huppert, Lambert Wilson, Alba Baptiste, Lucas Bravo, Jason Isaacs, Christian McKay, Freddie Fox, Ellen Thomas, Roxanne Duran

Film Rating: 7.5 out of 10

Running Time: 1 hour and 55 minutes

This film is in English and French with subtitles.

Oscar nominee Lesley Manville (Phantom Thread) returns to the world of 1950’s fashion in the delightful remake of the 1992 Television film Mrs Harris Goes to Paris based on the novel by Paul Gallico and stars as a London cleaning lady Ada Harris.

Upon finding out that her beloved husband was declared dead while missing in action in World War II, Mrs Harris receives a War Widow’s pension pay out from the military and through a series of fortunate events saves up enough money to tell her friend Violet Butterfield played by Ellen Thomas and her male friend Archie played by Jason Isaacs (Hotel Mumbai, A Cure for Wellness) that she is going to Paris to buy a Christian Dior haute couture dress worth 500 pounds. This is 1957 in London, so that was a tidy sum to pay for a frock.

As the title suggests, Mrs Harris does indeed go to Paris to the eccentric and complicated House of Dior run by Madame Colbert wonderfully played with panache by Oscar nominee Isabelle Huppert (Elle) and soon makes friend with the young and dashing account manager Andre Fauvel played by Emily in Paris star Lucas Bravo (Ticket to Paradise). As Mrs Harris soon discovers everything at Dior is not what they seem, despite the gorgeous gowns and the glamour. The fashion house is in economic decline and needs to attract a new set of clientele.

With her forthright and street smart attitude, Mrs Harris soon gets her beautiful dress while disrupting the House of Dior and warding off the overtures from the fussy but debonair Marquis de Chassagne played by French actor Lambert Wilson (The Matrix Resurrections, 5 to 7), while realizing deep down that she will eventually have to return to her life as a cleaning lady and deal with her posh employers including Giles Newcombe played by Christian McKay and Lady Dant wonderfully played by Anna Chancellor (Four Weddings and a Funeral, The Dreamers).

Extremely well cast with both British and French actors, Mrs Harris Goes to Paris is a delightful film about a woman fulfilling her dreams while gaining a beautiful dress and finding a place to eventually show off that gown with the real man of her dreams. Lesley Manville is exceptional as Mrs Harris downplaying the role to perfection while making Mrs Harris believable and more significantly relatable.

The young actors Lucas Bravo and Alba Baptiste provide some eye candy, while the Dior gowns steal the show particularly the infamous dress which makes international headlines.

If viewers love an excellent feel good film, then watch Mrs Harris Goes to Paris, its light enough not to be taken too seriously but strong enough to make a lasting impression as it subtly makes comments about industrial action, class relations and high fashion.

Mrs Harris Goes To Paris gets a film rating of 7.5 out of 10 and is highly recommended viewing.

The Worst Person in the World

Director: Joachim Trier

Cast: Renate Reinsve, Anders Danielsen Lie, Herbert Nordrum, Hans Olav Brenner, Maria Grazia Di Meo

Film Rating: 7.5 out of 10

This film is in Norwegian with English Subtitles

Best Actress Winner at the Cannes Film Festival in 2021, Renate Reinsve is superb as the troubled millennial Julie in director Joachim Trier’s quirky and bizarre episodic film The Worst Person in the World, Norway’s official entry for the 2021 Best International Feature Film category at the Oscars.

Renate Reinsve is Norway’s version of British actress Keira Knightley both in looks and acting style. Reinsve plays an indecisive young woman Julie in contemporary Oslo who frequently changes career paths as often as she changes men.

However, the film focuses on a formative four years in Julie’s life as she begins a more serious relationship with a much older cartoon artist Arkel played by Anders Danielsen Lie. As Aksel introduces Julie to his friends in his age group, most of whom have children, the conversation turns to whether the couple would like to have children. At the prospect of Julie settling down with a much older man and having kids, this idea freaks her out and Julie promptly gate crashes a very hip party in central Oslo where she meets a man her own age, the handsome and muscular Ervind played by Herbert Nordrum.

Julie in between navigating the complicated relationship with her family and watching her own relationship with Aksel disintegrate, she begins an affair with Ervind and much Aksel’s shock, she unexpectedly breaks up with him. This leaves Aksel utterly bereft and lonely. This makes the selfish and indecisive Julie possibly the Worst Person in the World, a sort of Wildcat who is against any form of domesticity.

Julie and Ervind move into together and she thinks nothing more of her older ex-boyfriend besides seeing his controversial fame increase on Norwegian TV chat shows. After Julie accidentally bumps into one of Aksel’s friends Ole played by Hans Olav Brenner who tells her some distressing news about Aksels health, she reaches a cross roads in her life as she re-evaluates her relationship with Ervind while making some critical life choices.

The screenplay of The Worst Person in the World is excellent and the entire episodic film is held together tightly by a riveting performance by the ravishing Renate Reinsve. Director Joachim Trier’s Woody Allen like social comedy set in contemporary Norway is filled with angst, drama and many loose ends that leaves the viewer wishing for some form of cathartic release, something which Scandinavian film makers are not known for delivering.

The Worst Person in the World has a great title, a superb central performance and a cracking sound track but unfortunately as an episodic film some scenes could have been edited out especially the weird trippy sequence in the middle. The Worst Person in the World gets a film rating of 7.5 out of 10 and is entertaining, but not brilliant.

Do Not Hesitate

Director: Shariff Korver

Cast: Joes Brauers, Spencer Bogaert, Tobias Kersloot, Omar Alwan

Film Rating: 7 out of 10

Running Time: 1 hour 31 minutes.

This film is in Dutch with English Subtitles.

Venezuelan born director Shariff Korver brings a taut military drama to the big screen in this well-edited razor sharp drama Do Not Hesitate about three young Dutch army soldiers who are left in the desert during a foreign peace keeping force that goes wrong. The setting could be Afghanistan, but the actual location where the film was shot is probably in Greece.

The soldiers, Erik, Roy and Thomas played respectively by Joes Brauers (Quo Vadis Aida?), Spencer Bogaert and Tobias Kersloot land up in an unpredictable situation when a young boy comes into the site range and demands the return of his goat which was accidentally killed.

The immaturity of the soldiers combined with macho bravado of trying to keep sane in an isolated location slowly brews over as the try to deal with young boy played by Omar Alwyn. As the three soldiers are left to guard a military vehicle by themselves in alien territory, the situation regarding their food and water deteriorates along with the relationship between all three, with Erik trying to lead and Roy and Thomas always at odds with his commands. As they are all so young themselves, possibly in their early twenties, and without the guidance of wise council, they do not handle the situation with the young boy very well, as the prisoner becomes increasingly vocal even though he does lead the soldiers to drinking water.

From the opening sequence of Erik playing the drums loudly in his parent’s home before he goes off to the military, to the bizarre closing sequence at a nightclub in Crete, whereby all three soldiers decompress, the reality of what they have done sinks in even though they are bound by a fraternal secrecy often formed in the masculine world of the military, where civilized rules don’t apply. Jose Brauers is excellent as the leader Erik.

Director Shariff Korver fortunately keeps Do Not Hesitate engaging, taut as a wire and completely filled with anger, potential violence and remorse. Even in one of the penultimate scenes all the young soldiers remain silent when question by a military appointed psychologist.

There is omniscient danger in Do Not Hesitate but the most violence comes from the three soldiers, whose pent-up rage is eventually released.

Do Not Hesitate was the official entry from the Netherlands to be considered for the Best International Feature film Oscar for the 94^th Academy Awards in 2022. Do Not Hesitate gets a film rating of 7 out of 10 and is a worthy improvement in contemporary Dutch cinema. Recommended viewing for those that enjoy a Dutch version of Brian de Palma’s Casualties of War.

The Emigrants

Director: Erik Poppe

Cast: Gustav Skarsgard, Sofia Helin, Mikkel Brett Silset, Lisa Carlehed, Tove Lo, Laurence Kinlan

Film Rating: 6.5 out of 10

Running Time: 2 hours and 28 minutes

This film is in Swedish with English Subtitles

At a running time of 2 hours and 28 minutes, Swedish director Erik Poppe’s reimagining of the book The Emigrants written by Vilhelm Moberg published in 1949 and remake of the 1971 film, is long and arduous although held together by strong performances by the two main leads Gustaf Skarsgard, as Karl-Oskar and Lisa Carlehed as Kristina, a couple who decide to take the long and dangerous voyage from Sweden to America in his film by the same name.

The Emigrants follows the story of a young couple Karl-Oskar and Kristina who leave their family behind in Sweden and immigrate to a new world, the land of the brave, America. Only able to speak Swedish and having lost their farm in Sweden, them and a whole group of their countrymen make haste and leave Sweden with the promise of a better life in a new country.

The topic of emigration is just as relevant today as it was when this film is set in the 1850’s. The Emigrants deals with a range of issues from religious intolerance, language barriers, rural hardship and the most significant issue: the resettlement of the family and children in a new land where there are better opportunities. Most people leave one country to settle in another in search of economic security and a better life for them all.

The toils of emigrants arriving in a new land has been the subject of many films from the Tom Cruise and Nicole Kidman 1992 film Far and Away to the more recent Oscar winning film Minari.

The 2021 film The Emigrants is a remake of the original 1971 film of the same name which starred Swedish acting legends Max von Sydow and Liv Ullman and was nominated for 5 Oscars.

Old prejudices from the homeland abound as Kristina initially resists friendship with local prostitute Ulrika played by Tove Lo, but soon as they both experience the hardships and opportunities of America, they become friends. While Karl-Oskar is busy preparing the farm in rural Minnesota for his expanding family, his wife Kristina yearns for her homeland Sweden and battles with differing religious convictions, the local Red Indian tribe and her children.

The Emigrants is epic in nature and is a story of resettlement told primarily from Kristina’s point of view and not so much from Karl-Oskar’s viewpoint which is apparently different to the original novel and the 1971 film. Interestingly, this version has a distinctly feminist slant.

Outside of the Swedish speaking world, many viewers will not be familiar with the backstory of The Emigrants, however as film, director Erik Poppe’s focus seems to linger too long on all the gory details and not so much on the general historical context era of the time.  

If viewers enjoy an epic and interesting historical adventure, then The Emigrants is recommended viewing. The 2021 version of The Emigrants gets a film rating of 6.5 out of 10.

The Good Boss

Director: Fernando Leon de Aranoa

Starring: Javier Bardem, Manolo Solo, Almudena Amor, Oscar de la Fuente, Tarek Rmili¸ Sonia Almarcha, Fernando Albizu

Film Rating: 8 out of 10

Running time: 1 hour 56 minutes

This film is in Spanish with English subtitles

The extraordinary depth of talent of Spanish actor and Oscar winner Javier Bardem (No Country for Old Men) can be seen in the humorous yet clever comedy The Good Boss starring Bardem in the title role as Blanco, the owner of a factory in Spain that makes scales on an industrial level.

As an inherited factory owner, Blanco likes to treats his employees as his family yet in the week whereby his company could receive a prestigious European industrial award, Blanco has to contend with a whole range of bizarre occurrences at his factory including the crazy antics of fired worker Jose played by Oscar de la Fuente who decides to create a single man strike right outside the company’s headquarters much to Blanco’s literal disgust.

As Spain’s official entry for Best Foreign Language film at the 2022 Academy Awards, The Good Boss is a superb almost cynical look at how a Boss manages to stay on top amidst his colleagues meltdown, a distraction by a beautiful yet provocative young intern Liliana wonderfully played with panache by Almudena Amor and the pestering Jose whose continued presence outside the factory causes a problem for Blanco.

Javier Bardem (Vicky Cristina Barcelona, Being the Ricardo’s) inhabits every aspect of this role as a duplicitous, commanding and ultimately egotistical boss Blanco who manages to outwit all these business and personal complications except for one. Bardem commands the screen and is brilliant as the wealthy yet slimy Blanco who appears to please everyone, but is ultimately protecting the company and himself.

The rest of the supporting cast are equally good although this comedy drama belongs to Bardem. The Good Boss is a cutting comedy of manners about workplace politics, illicit liaisons, scheming and betrayals while shining a cynical look on the hierarchal structure of industrial companies, from the boss to the head of production to the secretary and of course the misbehaving interns.

Like a work week, director Fernando Leon de Aranoa divides the film into days of the week, so it appears episodic in nature but in actual fact every little occurrence tips the scales of fairness against Blanco without him realizing it, adding the uncertainty principle into a series of events in which the boss appears to be in control. From the humorous exchanges between Blanco and the security guard Roman played by Fernando Albizu to Blanco’s deceitful affection towards his beautiful wife Adela played by Sonia Almarcha, The Good Boss is everything but decent.

The Good Boss is highly recommended viewing, a clever adult comedy about work politics, infidelity and underhand industrial tactics.

The Good Boss gets a film rating of 8 out of 10 and Javier Bardem is absolutely phenomenal. Highly recommended viewing.