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Eddie the Eagle

Director: Dexter Fletcher

Cast: Taron Egerton, Hugh Jackman, Christopher Walken, Jim Broadbent, Jo Hartley, Keith Allen, Rune Temte, Edvin Endre

Taron Egerton has really grown onscreen after the success of director Matthew Vaughn’s Kingsman: The Secret Service in 2015.

Now the young British actor, who was also one of the nominees for the 2016 BAFTA rising star awards, has appeared opposite Tom Hardy in Legend and Oscar winner Alicia Vikander (The Danish Girl) in Testament of Youth.

Egerton holds his own as the titular hero in director Dexter Fletcher’s humourous sports comedy, Eddie the Eagle, where he plays the hopeful and slightly gawky Eddie Edwards.

Back in the Eighties, Eddie Edwards was a young British ski jumper, who against all odds and the advice of the British Olympic committee, went on to compete in the 1988 winter Olympics in Calgary and despite the setbacks managed to even garner some Olympic medals by following his constant dream of one day becoming an Olympian.

Actor and director Dexter Fletcher’s film, Eddie the Eagle is a cool, coming of age sports story about the underdog, who despite his parents protests, decides that he is going to Garmisch in Germany to compete in the European ski jumping circuit. Fletcher’s previous efforts as a director have included the heart warming Scottish film, Sunshine on Leith.

In Germany Eddie befriends the rambunctious ex ski-jumper, now snow plougher and heavy drinking Bronson Peary wonderfully played by Hugh Jackman (Les Miserables), who soon mentors Eddie into fulfilling his dream.

The majority of Eddie the Eagle is set in the Alpine slopes of Western Europe from Germany to Austria and Switzerland as Eddie and Bronson train to compete in the 1988 Winter Olympics.

However Eddie’s quirky character, which he displays after completing the 70m ski jump, soon catches the attention of the sports press and his antics during competing soon earn him the nickname, Eddie the Eagle, by a sports commentator played by Jim Broadbent.

The film belongs to Taron Egerton who superbly inhabits the role of Eddie and the rapport between Egerton and Jackman is delightful. Notable cameo’s include Oscar winner Christopher Walken as the omniscient Warren Sharp, Bronson‘s former coach who has written a bestseller about becoming a successful ski jumper and also Oscar winner Broadbent as the British Olympic sports announcer who spurs Eddie on despite the competition from within his own team.

Eddie the Eagle also stars British actors Keith Allen (Trainspotting) and Jo Hartley as Eddie’s long suffering parents, Terry and Janette. Audiences should watch out for Norwegian actor Rune Temte, last seen in the historical TV series The Last Kingdom as Bjorn the coach of the Norwegian ski jumping team as well as Swedish actor Edvin Endre, last seen in Vikings, playing Matti, The Flying Finn who proves to be Eddie’s inspirational opponent.

Eddie the Eagle is a highly inventive sports comedy, a feel good reach for an Olympic dream sort of tale, which proves that persistence, courage and determination really does pay off. Highly recommended viewing.

Source: The real story of Eddie the Eagle

My Big Fat Greek Wedding 2

Director: Kirk Jones

Cast: Nia Vardalos, John Corbett, John Stamos, Rita Wilson, Michael Constantine, Lainie Kazan, Joey Fatone, Alex Wolff, Elena Kampouris, Andrea Martin

Canadian Greek actress Nia Vardalos has made a small dent on contemporary cinema with her range of comedies including the hit My Big Fat Greek Wedding, Connie and Carla and My Life in Ruins.

Now after an extended break between the first film made in 2002, Vardalos follows up the smash hit with the belated sequel My Big Fat Greek Wedding 2 about an extended Greek family set in Chicago and produced by Tom Hanks and Rita Wilson.

My Big Fat Greek Wedding 2 follows the raucous family of Toula a retrenched travel agent who has to work in her father’s restaurant Dancing Zorba’s and even gets her pouty teenage daughter Paris played by newcomer Elena Kampouris to assist her. Paris is on the brink of finishing high school and must soon choose a suitable college for her tertiary education.

Naturally Toula’s family all want Paris to remain in Chicago and study at North-Western University, while her hilarious grandfather Gus, wonderfully played by Michael Constantine only wants his granddaughter to marry a Greek boy.

The wedding plot which the title refers to does not involve Paris although initially audiences are led to believe that, but rather Toula’s parents Gus and her mother Maria exuberantly played by Lainie Kazan, who after attending the Greek orthodox church one Sunday discover that they were never officially married when Gus forgot to sign his name on the marriage certificate.

Directed by British director Kirk Jones responsible for such hit comedies as Waking Ned Devine and Everybody’s Fine, My Big Fat Greek Wedding 2 is a hilarious and fun filled family film with running jokes about the perils of living with an extended family and also about the importance of rekindling love in one’s own marriage, especially between Toula and her Waspish American husband Ian played by John Corbett (Sex and the City 2, The Burning Plain).

Look out for a fabulous Andrea Martin (Wag the Dog) as the straight talking Aunt Voula who perceives that Toula’s brother Angelo played by former NSYNC singer Joey Fatone is of a different persuasion.

Nia Vardalos manages to fill the screen with her wide eyed gaze as she continually portrays the overbearing Greek mother Toula trying to help her daughter through the important transition from High School to College, while not making the same mistakes as her own mother Maria. As an inter-generational family comedy, My Big Fat Greek Wedding 2 hits the mark, especially with a lively collection of supporting actors including John Stamos, Rita Wilson, Joey Fatone and Alex Wolff, but certainly not as funny as the original film.

Audiences expecting a sequel get a funny and warm comedy without too many surprises or originality. Perhaps the gap between the two films is too long but then again, that Greek family needed some time to grow. Recommended viewing for extremely light entertainment.

Batman v Superman: Dawn of Justice

Director: Zack Snyder

Cast: Henry Cavill, Ben Affleck, Amy Adams, Jesse Eisenberg, Jeremy Irons, Holly Hunter, Diane Lane, Gal Gadot, Scoot McNairy, Laurence Fishburne, Callan Mulvey, Kevin Costner, Ray Fisher, Jason Momoa

Hollywood studio Warner Brothers had a lot riding on the highly anticipated sequel to the 2013 hit Man of Steel, Batman v Superman: Dawn of Justice, but fortunately they followed the golden rule of sequels, always bring in the same cast and director mixed in with a bunch of surprises.

Fortunately in the hands of Zack Snyder whose visual range is vast, Batman vs Superman comes across as an epic battle between the two infamous superheroes, a monumental gamble on reintroducing Batman back into the mix so soon after the brilliant success of Christopher Nolan’s Dark Knight Trilogy. Then why not bring the writer of that trilogy on board, David S. Goyer and use Christopher Nolan’s expertise as executive producer. Then there is the casting which really pays off.

The Social Network’s Oscar nominee Jesse Eisenberg as the smart and brilliant villain Lex Luthor, Oscar winner Jeremy Irons (Reversal of Fortune) as Batman’s trusted manservant Alfred and the biggest coup was casting Ben Affleck (Gone Girl, Argo) as Batman which gives this comic book clash of the icons a more edgier hue.

After all, realistically Batman, aka Bruce Wayne cannot really defeat Superman, an alien man from Krypton with superpowers. All Batman has is cool gadgets, a Batmobile and all that pent-up rage from his childhood trauma of witnessing his parents being murdered on the streets of Gotham.

Amy Adams returns as the adventurous Lois Lane, along with Henry Cavill as Clark Kent, aka Superman along with Diane Lane as his earth mother Martha Kent. If there is one way to make a superhero angry, it’s to mess with his mother!

Whilst Batman v Superman at two and a half hours long could have been edited especially the last hour of the film, visually the film is so impressive as director Zack Snyder artistically pays homage to his filmography which made him famous: 300, Watchman and Suckerpunch, the last one being especially evident in the surprise appearance of Wonder Woman, played by Israeli actress Gal Gadot.

The chemistry between Batman and Wonder Woman is sexually charged, and on screen the duo look impressive. Affleck’s Batman is a brooding, aging wealthy playboy who is hellbent on seeking revenge for the destruction of a Wayne Enterprises skyscraper by alien invaders from Krypton. Blame Superman!

Whilst Chris Terrio (Argo) and David S. Goyer’s script is not particularly dazzling, the visual effects in Batman v Superman are brilliant, as well as the tone of the film, which Snyder keeps alternating between light bright colours for Superman and dark, cavernous greys for Batman. It also helps that Affleck himself has greying sideburns which realistically makes Batman look older than Cavill’s boyish Superman.

Women in Batman v Superman also have a major role, although clearly the film itself is marketed for a primarily male audience. Lois Lane is feisty and believable, Wonder Woman looks absolutely gorgeous in evening wear and even appears as a suitable femme fatale for Bruce Wayne during a glamourous Lex Luther cocktail event. Even Diane Lane as Clark Kent’s mother Martha gets caught up in the raucous and very loud action sequence.

It’s really Jesse Eisenberg’s superb and surprising turn as the deranged megalomaniac Lex Luther, a psychotic billionaire tech guru who thinks nothing of killing innocent people during a public gathering or messing with extra-terrestrial DNA from General Zod.

Fans of Man of Steel and The Dark Knight Trilogy will certainly appreciate the iconic face-off between Batman v Superman, but be warned the tone of this film is far darker than your average bright and garish superhero caper.

Recommended viewing for all Zach Snyder fans and those that wish to be regular attendees at Comic-Con. This is serious comic book warfare.

Room

Director: Lenny Abrahamson

Cast: Brie Larson, Jacob Tremblay, Joan Allen, William H. Macy, Sean Bridgers, Wendy Crewson, Cas Anvar

Brie Larson gives an Oscar-winning performance in director Lenny Abrahamson’s claustrophobic film Room about captivity, sexual slavery and the perceptions of children. Based on the novel by Emma Donoghue, director Abrahamson whose previous credit includes the bizarre Michael Fassbender film Frank, delves deep into the emotional and psychological trauma of those affected by a harrowing experience set in suburban Akron, Ohio.

This experience is the abduction of Joy Newsome, known as Ma who is sexually abused from the age of 17 and kept in a garden shed, which becomes the room of the title and stays there for seven years. During her incarceration she gives birth to a son Jack who becomes her world. Cleverly Room does not dwell on the horrors of captivity or sexual slavery, but fluidly follows the perceptions of this enclosed world formed by the 5 year old Jack wonderfully played by newcomer Jacob Tremblay, who really is the emotional centre of the film and certainly should have won a Best Supporting Actor Oscar.

Joy Newsome known as Ma, is superbly played by relative newcomer Brie Larson (The Gambler, Don Jon) in a stunning performance which has scooped every Best Actress award in 2016 from the Golden Globes to the Bafta’s to The Oscars.

The exceptional depth of Brie Larson and Jacob Tremblay’s talent is displayed in the first half of Room, which is entirely occupied by Ma and Jack as they eventually hatch a plan to escape when Ma realizes that Old Nick, played by Canadian actor Sean Bridgers, cannot really afford to keep them locked up forever.

That escape and eventual discovery of Joy Newsome is thanks to the bravery of young Jack who must unwittingly go into a world he has never experienced and escape, find the police and alert them of their disappearance and capture. Brilliant shot, Abrahamson keeps the tension of the first half of the film and Brie Larson is extraordinary as she must know convince her young son, Jack that the world comprising Room is not the Real World and he must shift his expectation from fantasy to an altered reality of what the real world actually is.

Audiences expecting a neatly tied up dramatic end to Room will be thoroughly disappointed as the second half of the film after their release dwells more on the emotional and psychological consequences of the mother and son’s shared trauma than on any legal or criminal investigation into their prolonged captivity.

Joy’s estranged parents Nancy and Robert played by Joan Allen (The Contender, The Crucible) and William H. Macy (Fargo, The Sessions) are suitably good in a nuanced underplayed way, especially as Robert cannot bear to look at the product of sexual abuse, his grandson Jack.

Room is essentially a parable about a mother’s bond with her child in a cruel and vicious world where each of them are confined by their own perceptions of the world and the roles they are meant to occupy as parent and child.

Room is a thought-provoking and harrowing tale of survival which will keep audiences talking for years, held together by brilliant performances by Larson and Tremblay. Recommended viewing for those that enjoy an intelligent and emotional family drama.

London has Fallen

Director: Babak Najafi

Cast: Gerard Butler, Aaron Eckhart, Radha Mitchell, Angela Bassett, Morgan Freeman, Melissa Leo, Patrick Kennedy, Colin Salmon, Charlotte Riley, Robert Forster, Jackie Earle Haley, Robert Forster, Alon Aboutboul, Waleed Zuaiter

Iranian director Babak Najafi follows up the 2013 action film Olympus has Fallen with the more obvious title of London has Fallen.

This time Washington D. C. is the safe zone but London comes under attack by a Pakistani arms dealer Aamir Bakawi who is wreaking havoc on the West for a drone attack which killed his daughter during her wedding back in Pakistan. Bakawi is helped by his vengeful son Kamran played by Waleed Zuiater (The Visitor).

Two years later, after the sudden death of the British prime minister, the entire group of G8 leaders plan on assembling in London for the state funeral at Westminster Abbey.

No London landmark is safe as the Houses of Parliament, the Abbey, Chelsea Bridge all come under attack but fear not the American president Benjamin Asher played again by Aaron Eckhart is protected by macho bodyguard Mike Banning wonderfully played to form by Gerard Butler, both of whom were in the first film.

This time Banning has more to fight for including getting back to his expectant wife Leah played by Radha Mitchell. As the situation deteriorates in London, and the security forces cannot be trusted as many of whom are employed by the elusive arms dealer, Bakawi who is gleefully watching the destruction of the British capital from a café in Yemen.

Whilst director Najafi does not concentrate on a complex political backstory, his main focus is on delivering a fast paced action thriller filled with brilliant stunts, classic one liners mainly uttered by Gerard Butler, London has Fallen, despite the unlikely plot, is sure to satisfy action fans.

With a great supporting cast including Oscar winner Morgan Freeman (Million Dollar Baby) as the vice-president Trumbull who is directing the presidential extraction from the Washington situation room along with Robert Forster and Jackie Earle Haley, London has Fallen is similar to Olympus has Fallen but lacks originality although is sure to raise more security questions considering how the enemy is portrayed as infiltrated British police officers.

In light of the Paris attacks in November 2015, London has Fallen is gripping but the explosive action does little to actually make the narrative seem more credible. Like the first film, audiences should expect a high body count, a couple of twists and turns and Gerard Butler saving the day.

As the mysterious mole in British intelligence says, the barbarians are at the gates, London has Fallen raises more questions about which city would be under attack next, especially considering the current state of geo-political affairs and more significantly the rapidly growing migrant influx into Western Europe.

London has Fallen is a real action film, short on plot but big on visuals and explosions. Fans of Olympus has Fallen will enjoy this interesting sequel. A third film is sure to follow to make up an explosive trilogy.

The 88th Academy Awards / The Oscars

Sunday 28th February 2016

OSCAR WINNERS AT THE 88TH ANNUAL ACADEMY AWARDS

Best Picture: Spotlight

Best Director: Alejandro Gonzalez Inarritu – The Revenant

Best Actor: Leonardo DiCaprio – The Revenant

Best Actress: Brie Larson – Room

Best Supporting Actor: Mark Rylance – Bridge of Spies

Best Supporting Actress: Alicia Vikander – The Danish Girl

Best Original Screenplay – Tom McCarthy & Josh Singer – Spotlight

Best Adapted Screenplay – Adam McKay & Charles Randolph – The Big Short from the book The Big Short written by Michael Lewis

Best Foreign Language Film: Son of Saul (Hungary) directed by Laszlo Nemes

Best Cinematography: Emmanuel Lubezki – The Revenant

Best Costume Design: Jenny Beavan – Mad Max: Fury Road

Best Production Design: Mad Max: Fury Road

Best Hair and Makeup: Mad Max: Fury Road

Best Film Editing: Margaret Sixel – Mad Max: Fury Road

Best Sound Editing: Mark A. Mangini and David White – Mad Max: Fury Road

Best Sound Mixing: Mad Max: Fury Road

Best Animated Feature: Inside Out by Pete Doctor and Jonas Rivera

Best Visual Effects: Ex Machina

Best Documentary Feature: Amy directed by Asaf Kapadia and James Gay-Rees

Best Original Score: Ennio Morricone – The Hateful Eight

Best Original Song: The Writings on the Wall by Sam Smith – Spectre

Source: Oscars

Gods of Egypt

Director: Alex Proyas

Cast: Brenton Thwaites, Nikolaj Coster-Waldau, Bryan Brown, Rufus Sewell, Gerard Butler, Emma Booth, Chadwick Boseman, Geoffrey Rush, Courtney Eaton, Elodie Yung

Escapist cinema is fun but often its never particularly good, just merely entertaining. This is the case with the latest film from Knowing director Alex Proyas who imaginatively captures the golden world of Egyptian mythology in the action adventure swashbuckler, Gods of Egypt.

After a fabulous introduction to the Egyptian Gods and their hierarchy, a muscular Horus, son of Egyptian God Osiris, played by Game of Thrones hunk and Danish actor Nikolaj Coster-Waldau finds himself at the centre of a bitter family feud between his father, Osiris played by Australian actor Bryan Brown (Australia, Gorillas in the Mist) and his evil brother Set, the God of Darkness, wonderfully played with just the right dash of malevolence by Gerard Butler (Olympus has Fallen, 300).

There is inevitably a spectacular clash of the Gods witnessed by the mere mortals, ancient Egypt is plunged into slavery and servitude and one mortal, the brave and ambitious Bek played by the young actor Brenton Thwaites (The Giver) befriends Horus after he assists the blighted God with his eyesight. The malicious Set blinded Horus and plucked out his eyes, hiding one in the cavernous centre of a pyramid.

Horus and Bek embark on a journey of revenge and aim to overthrow the almighty Set whilst, even appealing to the supreme deity Ra, the Egyptian Sun God, lavishly played by Geoffrey Rush (The King’s Speech). British actor Rufus Sewell makes a brief appearance as Egyptian obelisk builder Urshu who serves as Set’s henchman. Audiences should also watch out for Chadwick Boseman in a rather camp portrayal as Thoth, the vain God of wisdom.

In the meantime, Bek has to save his love, the ravishing Zaya played by Courtney Eaton (Mad Max: Fury Road), from plunging eternally into the seven circles of the Egyptian underworld after she is mortally wounded. Set has his own plans of upsetting the underworld’s delicate balance and plunging both mortals and Egyptian Gods into abysmal chaos.

If this all sounds a bit much, it probably is. This is Egyptian Escapism at its best. Whilst the cast do a fair good job of bringing the glamorous CGI laden adventure story up to a believable level of interest, the plot falters as much as the landscape and pure escapism does not quite hold up so well.

Unlike Star Wars: The Force Awakens which already has a cult following and is pure Sci-Fi, Gods of Egypt is in the precarious realm of fantasy, and unfortunately the cast are not mainstream enough to sustain the believability of the plot.

Whilst the costumes and production design would appeal to any budding Egyptologist, Gods of Egypt does not elevate itself as a fascinating mythical adventure but more as an escapist adventure story. While Gods of Egypt is fun to watch, it is recommended viewing for those that enjoyed Clash of the Titans, Hercules and Tarsem Singh’s The Immortals, but unfortunately not as good.

Trumbo

Director: Jay Roach

Cast: Bryan Cranston, Diane Lane, Elle Fanning, Louis C. K. Michael Stuhlbarg, Helen Mirren, John Goodman, Stephen Root, Roger Bart, Dean O’ Gorman, Alan Tudyk, Adewale Akinnuoye-Agbaje

Director Jay Roach really gives audiences an opportunity to witness Bryan Cranston’s acting talents first hand as Cranston plays the Oscar nominated role of blacklisted Hollywood screenwriter Dalton Trumbo in California in the late 1940s and throughout the 1950’s.

With the rise of McCarthyism in the early 1950’s and the vindictive Committee on Un-American Activities whose sole aim was to root out the perceived communist threat within Hollywood and many other facets of American society, the anti-communist witch hunt become notorious for ruining reputations and lives of artists, actors, directors and screenwriters. Even the famous playwright Arthur Miller was perceived as a threat and his persecution was illustrated in his classic play The Crucible.

Dalton Trumbo, wonderfully played by Cranston, is an unconventional yet brilliant screenwriter who becomes one of the Hollywood Ten perceived by the Committee as harbouring Communist sympathies. Trumbo was, as his friend Arlen Hird played by Louis C. K. said, a Socialist with Champagne tastes. His flamboyant cigarette smoking, his unusual method of writing screenplays in the bath, his reliance on Benzedrine were all traits of a fierce creative genius who was ripe for prosecution.

Michael Stuhlbarg also gives an impressive performance as Edward G. Robinson who will do anything to maintain his lavish lifestyle.

In one of the great artistic injustices, Trumbo is found in contempt of the Supreme Court and sentenced to a Kentucky penitentiary for close to 18 months. Upon Trumbo’s release he is faced with the prospect of supporting his wife Cleo played by Diane Lane (Unfaithful) and three growing children, one of which is his feisty daughter Nicola superbly played by Elle Fanning (Maleficent).

Trumbo approaches a B-Grade studio, King pictures and soon does rewrites under a pseudonym under the guidance of the studio boss, Frank King boisterously played by John Goodman (The Gambler, Barton Fink). Helen Mirren (Woman in Gold, The Queen) pops up looking suitably glamorous as the Hollywood actress turned gossip columnist Hedda Hopper who ambivalently supports the Communist witch hunt and soon suspects that Trumbo is indeed writing Oscar winning screenplays under another screen writer’s name.

The Audrey Hepburn and Gregory Peck romance Roman Holiday was credited to Ian McLellan Hunter, played by Alan Tudyk in Trumbo, but was actually written by the blacklisted Dalton Trumbo. Roman Holiday won an Oscar for Best Original Screenplay and went to McLellan Hunter acting as Trumbo’s front.

In steps Kirk Douglas played by Dean O’ Gorman who secretly approaches Trumbo to write a screenplay about a man taking on the world. That film was to become the blockbuster Spartacus.

Besides the cinematic historical value of Trumbo, the injustices he suffered both personally and artistically, what carries Jay Roach’s film, is Bryan Cranston (Argo) who never falters in his brilliant portrayal of the legendary Dalton Trumbo.

Trumbo is a brilliant film, perhaps slightly uneven at times, but a fascinating portrayal of one man’s quest to get his name cleared and eventually receive the recognition from Hollywood that he deserves, especially for his talented contribution to film.

Trumbo is highly recommended viewing especially for cineastes and film historians, a brilliant portrayal of Hollywood in the 1950’s and the persecution of intellectuals by the American government of the time, whose paranoia concerning the cold war with Russia reached unreasonable proportions.

13 Hours: Secret Soldiers of Benghazi

Director: Michael Bay

Cast: John Krasinski, Pablo Schreiber, James Badge Dale, Toby Stephens, David Denham, David Costabile, Matt Letscher, Alexia Barlier, Max Martini, Dominic Fumusa, Pablo Schreiber

Bad Boys and Transformers director Michael Bay turns to more recent geopolitical turmoil in the excellent and absorbing film 13 Hours: Secret Soldiers of Benghazi about the deadly attack on an American temporary diplomatic post in Benghazi in Libya on the night of 11^th September 2012. This attack had such devastating consequences both diplomatically and politically that the Americans were forced to re-evaluate the postings of their diplomats abroad.

Comic actor John Krasinski beefs up in his first action role as Jack Silva a married man who does one last security mission abroad for a contract security company in Benghazi only to survive a horrendous night in which the worst possible attack occurred.

Other security personnel in 13 Hours include James Badge Dale as Tyrone Woods, Pablo Schreiber from Orange is the New Black as Kris Paronto along with David Denham as Dave Benton and David Costabile last seen in Showtime’s Billions as the commander of the security forces, Bob. Audiences should also look out for Toby Stephens (Die Another Day) as a Global Response Staff officer Glen Doherty.

What becomes apparent in 13 Hours, is that the Americans grossly underestimated the security situation in Libya post the fall of Gaddafi, who was toppled in a civil war in October 2011, the result of which was a sweeping tide of change across North Africa and the Middle East, now referred to as the Arab Spring. The American ambassador to Libya Chris Stevens, played by Matt Letscher in the film, was actually killed in the attack on the Benghazi compound by a group of heavily armed extremists.

Director Michael Bay sets the scene in Libya post Gaddafi as a powder keg, a dangerous power vacuum which occurred following the Libyan dictator’s death resulting in a stock pile of weapons being seized by warring militia groups who constantly battled each other on the streets of Benghazi and Tripoli.

13 Hours: The Secret Soldiers of Benghazi is based upon the book 13 Hours by Mitchell Zuckoff and is a riveting and controversial account of what actually took place in the chaotic events which lead to the vicious attack on the American Compound and the adjoining annex by a group of Islamic militants.

As a visual documentary of recent history, 13 Hours naturally comes off as an American tale of bravado and patriotism against a foreign enemy which is far more complex, lethal and indistinguishable. What the film does point to especially concerning the current conflict in Syria and the collapse of an ordered government in Libya is the cause of the dramatic influx of migrants to Western Europe from war-torn countries in North Africa and the Middle East mainly due to their geographic proximity.

In the tradition of the excellent Lone Survivor, 13 Hours is a riveting action film retelling a very recent historical event whose geo-political ramifications go far beyond the borders of Libya.

As 13 Hours points out, the Benghazi attack was a tragic American diplomatic event questioning who was really responsible for the security of American citizens in such a dangerous city when the threat matrix had been severely under estimated. Recommended viewing and sure to provoke ample discussion.

Source: Libya

Deadpool

Director: T. J. Miller

Cast: Ryan Reynolds, Morena Baccarin, Ed Skrein, T. J. Miller, Brianna Hildebrand, Kyle Cassie

When the film’s director also appears as the barman Weasel and the superhero’s closest friend, audiences should really suspend their disbelief. In the case of the cinematic telling of Marvel’s most risqué superhero, the foul-mouthed, wacky Deadpool aka Wade Wilson, audiences should completely just take the entire story with a massive dose of salt or Xanax. After all who can take Deadpool seriously?

Director T. J. Miller, also seen as Deadpool’s confidant Weasel, version of a superhero movie is so off the wall, so hilarious and so unconventional that even the traditional X-Men franchise would shy away from this mutant’s malevolent antics. Canadian actor Ryan Reynolds (Blade Trinity, Green Lantern) certainly keeps the character of Deadpool alive and suitably quirky, with a fast paced wit and attitude too match. Essentially an anti-hero to boot, Wade Wilson falls in love with the gorgeous Vanessa played by Brazilian actress Morena Baccarin (Spy) last seen on the small screen in Gotham and Homeland.

Their romance goes swimmingly with loads of sexual innuendo thrown in until Wade Wilson collapses and is soon diagnosed with a rare cancer which will effectively devastate his vital organs.

Wade Wilson desperate to find an alternative seeks the help of a shady recruiter and is soon at the mercy of the evil Ajax played by Ed Skrein who relentlessly subjects Wade to days of torture, eventually forcing him to become a mutant, and with that Deadpool is born.

Deadpool as a film does not have much of a plot but relies heavily on the inappropriate and quirky script with Reynolds firing off brilliant one-liners throughout while embarking on a quest to seek vengeance for the torturous transformation he received at the hands of Ajax.

Deadpool enlists the help of some distant X-Men characters, namely Negasonic Teenage Warhead, to fight the villain and soon the battle against good and evil is as murky and bloody as it is funny and to be honest quite ridiculous. But hey who cares?

Audiences should go and see Deadpool for the script right? Which is the best part of a film that even from the opening credits continually subverts the superhero genre.

Sure to find a cult following amongst the hardcore comic book fans, Deadpool certainly is original, hilarious and kinky in an ex-rated fashion, but maybe that’s because the superhero’s outfit resembles a Sado-Masochism suit. Audiences can judge for themselves but Deadpool is definitely recommended only for serious Superhero fans and Comicon devotees, who will be relieved to know that there is a sequel on the cards…