Posts Tagged ‘Alan Alda’

An Interminable Battle

Marriage Story

Director: Noah Baumbach

Cast: Adam Driver, Scarlett Johansson, Laura Dern, Ray Liotta, Alan Alda, Julie Hagerty, Lucas Neff, Merritt Wever, Azhy Robertson

Please note Marriage Story is only available on Netflix and did not receive a comprehensive theatrical release.

The Squid and the Whale director Noah Baumbach brings an incisive story of a contemporary marriage disintegrating in his Netflix’s released film Marriage Story starring Oscar nominated actor Adam Driver (BlackKklansman) as Charlie the husband and Scarlett Johansson (Lost in Translation, Vicky Cristina Barcelona) as Nicole who make up a trendy young New York couple.

Nicole is an aspiring stage and screen actress who falls in love and marries Charlie an off-Broadway theatre director. The couple have an eight year old son Henry played by Azhy Robertson (Juliet, Naked). Very rapidly and much to Charlie’s shock and surprise, their marriage starts disintegrating when Nicole discovers that her husband had a brief affair with a theatre intern.

Expertly played by Scarlett Johansson, Nicole moves back to Los Angeles where she stays with her mother Sandra played by Julie Hagerty (Flying High). There, she enlists the assistance of a hard as nails California divorce attorney Nora Fanshaw superbly played by Oscar nominee Laura Dern (Rambling Rose, Wild).

When the hard reality of divorcing Charlie comes into focus, Nicole has to grapple with all sorts of issues such as child custody and marital finances especially since Charlie has just received a massive Arts Grant to direct a Broadway production with a group of theatre actors back in New York.

Charlie, featuring an outstanding performance by Adam Driver, is suddenly forced to go to Los Angeles to also enlist a divorce lawyer, a cut-throat shark named Jay Marotta wonderfully played by Ray Liotta (Goodfellas, Kill the Messenger).

Writer and director Noah Baumbach incisively dissects the dissolution of a marriage as Charlie and Nicole become embroiled in a bitter divorce battle which is overshadowed by the vicious divorce lawyers as each of their lives becomes an incriminating portrait of how a marriage, a partnership shatters into a million pieces with their son Henry caught in the middle.

In Marriage Story, Noah Baumbach perfectly examines the emotional effects of a divorce on a couple who really haven’t considered all the ramifications of a traumatic separation. Adam Driver expertly portrays the emotional toll a father has as he uproots his career in New York to try and sort out a divorce which is being sued for in a Californian courtroom.

Adam Driver is terrific as Charlie and is really a brilliant actor, whose talent was exceptionally displayed in director Spike Lee’s masterful dissection of race relations in 1970’s Colorado in his Oscar winning film BlackKKlansman.

Set between New York and Los Angeles, Marriage Story is the 21st century version of the Oscar winning 1979 film Kramer vs Kramer and is recommended viewing for those that have the Netflix streaming service. The performances are brilliant.

Marriage Story gets a film rating of 8 out of 10.

The Standing Man

Bridge of Spies

bridge_of_spies

Director: Steven Spielberg

Cast: Tom Hanks, Mark Rylance, Alan Alda, Amy Ryan, Jesse Plemons, Austin Stowell, Sebastian Koch, Will Rogers, Billy Magnussen, Eve Hewson

The opening shot of Bridge of Spies features a suspected spy painting a self portrait of himself in a dingy Brooklyn flat, symbolic of a reflective look at the characters involved in the Cold War and the complicity of the two superpowers whose distrust of each other ripened over four subsequent decades.

Oscar Winner Tom Hanks (Philadelphia, Forest Gump) plays insurance lawyer turned defence attorney in the Steven Spielberg directed Cold War thriller, Bridge of Spies, which despite its length is an absorbing and fascinating film set amidst 1950’s paranoia, propaganda and old fashioned espionage.

With a script by the Coen brothers and Matt Charman, Bridge of Spies raises the profile of British actor Mark Rylance, Emmy nominated for his superb portrayal of Thomas Cromwell in the BBC series Wolf Hall, as suspected spy Rudolf Abel who is arrested in his Brooklyn apartment by American government agents for espionage.

Tom Hanks in one of his most likable performances to date since his brilliant turn in Captain Philips, plays James B. Donovan who at the request of his law firm is asked to give Abel a fair trial despite public opinion being considerably stacked against him. This is 1957 America, a country in the grip of McCarthyism and Cold War paranoia. The Russians are building a wall to divide Berlin in half and each super power is suspected of stockpiling a nuclear arsenal sufficient enough to repeat the horrors of Hiroshima, which ended World War II in 1945.

As the intricate narrative arc of Bridge of Spies unfolds, complete with period production design and gritty cinematography by Janusz Kaminski, it is apparent that Donovan realizes the potential of keeping Abel alive in case for whatever reason the Americans need to use him as a trade for one of their citizens that could potentially be captured behind enemy lines.

This prediction happens sooner than expected when an American pilot, sanctioned by the CIA, Francis Powers, played by Austin Stowell (Whiplash) is shot down and captured in Soviet territory and duly interrogated by the Russians about the spy plane he was flying. To add to the mix, as Berlin is being divided in half by the infamous wall, an American economics student Frederic Pryor played by Will Rogers is captured by the East Germans and who want to use him as a means for these two super powers to recognize the sovereignty of the German Democratic Republic (East Germany) German Democratic Republic.

Oscar winning veteran director Spielberg (Schindler’s List, Munich and Saving Private Ryan) skilfully weaves a very complex espionage tale in which his two main leads Hanks and Rylance have sufficient screen time to paint a portrait of an unusual relationship between attorney and client surpassing the perceived notion of a lawyer defending a suspected spy.

This public conception of Abel’s guilt and Donovan’s sympathy towards his clients is brilliantly portrayed in an affecting scene on the New York subway where commuters all stare at Donovan with disdain after reading press coverage of the trial in the morning newspapers.

Bridge of Spies is an absorbing historical drama about the Cold War, yet at 141 minutes, the film could have been edited although Rylance and Hanks are terrific in their roles as Abel and Donovan. The supporting cast includes Amy Ryan, Alan Alda, Jesse Plemons and Sebastian Koch. Highly recommended viewing for those that relish a vintage spy drama, something which is rarely seen in this digital age.

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