Posts Tagged ‘Andy Garcia’

The Dutchboy Scenario

Geostorm

Director: Dean Devlin

Cast: Gerard Butler, Jim Sturgess, Abbie Cornish, Andy Garcia, Ed Harris, Alexandra Maria Lara, Daniel Wu, Amr Waked, Richard Schiff, Mare Winningham

Scottish actor Gerard Butler (300, Olympus has Fallen) does his I will save the world routine in director Dean Devlin’s fantastic disaster epic Geostorm as Jake Lawson alongside Jim Sturgess (21, Cloud Atlas) as his younger conniving brother Max Lawson and the steely secret service agent Sarah Wilson played by Australian actress Abbie Cornish (Bright Star, Limitless, Robocop).

Romanian/ German actress Alexander Maria Lara (Rush) plays the German astronaut Ute Fassbinder while Cuban actor Andy Gracia (The Untouchables, Night Falls on Manhattan) plays the US president Andrew Palma who is trying to prevent earth from being entirely obliterated by a series of freak weather patterns mainly controlled in space by a massive orbital satellite affectionately known as Dutchboy, named after the fabled hero who stopped the Netherlands from imminent flooding.

Think Firestorms in Hong Kong, Tsunami’s in Dubai, Freezing temperatures on the Ipanema Beach in Rio de Janeiro and Lightning strikes at the Democratic Convention in Orlando, Florida. How ironic considering that the Donald Trump led Republican administration recently pulled America out of the Paris Climate Agreement.

Veteran actor Ed Harris (The Abyss, A Beautiful Mind, Pollock) recently seen in the brilliant HBO series Westworld, a remake based on the iconic 1970’s film, plays Leonard Dekkam.

While Geostorm can be seen as a veiled attempt at illustrating Global warming, it is a reminder that no matter how invincible human beings feel, nature is more powerful. Especially considering the recent geological disasters: Hurricane Irma in the Caribbean and Florida, the recent devastation in Puerto Rico and the deadly earthquake in Mexico City.

Geostorm is a fun-filled, visually impressive popcorn film with some genuine fraternal conflict between the two brothers Max and Jake, the former being a smooth talking government lobbyist (Jim Sturgess) and the latter a gung-ho action man with anger management issues (Gerard Butler).

Like Moonraker meets Gravity with overtones of An Inconvenient Truth, except Geostorm is no documentary but an epic disaster film neatly packaged for American consumerism.

My only criticism is that in Geostorm, America remains relatively unscathed while Mumbai, India, Hong Kong and Dubai are subjected to severe weather patterns which makes for stunning visuals but questionable cinematic ideology.

Audiences that enjoyed The Day After Tomorrow and Armageddon, will love Geostorm. That being said, it is a fun way to spend a Saturday afternoon, without seriously contemplating the 21st century phenomenon of climate change coupled with rapidly developing digital technology.

The entertaining Geostorm gets a Film Rating of 7 out of 10. Recommended for audiences that like their global warming glossy and romanticized.

This film was kindly sponsored by Ster Kinekor https://movies.sterkinekor.co.za/browsing/ Musgrave Cinemas, Durban, South Africa.

 

Discovering Aurora

Passengers

Director: Morten Tyldum

Cast: Jennifer Lawrence, Chris Pratt, Michael Sheen, Laurence Fishburne, Andy Garcia

It’s hard to believe that after the success of the Oscar nominated biographical film about Alan Turing, The Imitation Game, that Norwegian director Morten Tyldum would follow up with a sci-fi metaphorical film Passengers which doesn’t quite elevate to a meaningful story despite its sexy wholesome stars.

Oscar winner Jennifer Lawrence (Silver Linings Playbook) and Hollywood’s new kid on the block, Chris Pratt (Jurassic World, The Magnificent Seven) are basically the only two actors in Passengers which focuses on a luxurious space craft heading to a distant colony for space colonization only for the couple to awaken 90 years before their projected arrival at the planet aptly named Homestead.

Pratt who was so humorous in Guardians in the Galaxy, battles to keep a straight face as the mechanic from Colorado Jim Preston who realizes that himself and Aurora Lane, wonderfully played by a gorgeous Blonde Jennifer Lawrence are awake in a vast rotating space cruiser with only a smartly dressed android for company, the eloquent Arthur superbly played by Michael Sheen (The Queen, Midnight in Paris).

What saves Passengers from utter tedium is the brilliant visual effects and pristine cinematography by Rodrigo Prieto along with sleek production design by Guy Hendrix-Dyas who worked on such films as Alejandro Amenabar’s Agora and Christopher Nolan’s visually astounding film Inception.

The best scene in the film is when the space ship suddenly loses gravity and catches Aurora stuck inside a water bubble while she is swimming in an infinity pool which overlooks the infinite galaxy.

Jennifer Lawrence looks suitably panic stricken throughout Passengers mainly because she is so used to working with other actors in ensemble films like American Hustle and Joy. In Passengers, all she has to work with is Pratt who doesn’t yet have the gravitas to pull off a major role on his own with one other actor.

Passengers is gorgeous to look at but the narrative centre of the film does not hold and one would have hoped for a more fascinating turn of events than a spaceship breaking down. Let’s face it that has been done before with more sinister effects. Oscar Nominee Laurence Fishburne plays Gus Mancuso who has such a small part along with Andy Garcia who only briefly appears at the end of the film, without uttering a word.

Unlike Alfonso Cuaron’s brilliant Oscar winning film Gravity, Passengers does not really get off the ground emotionally and whilst any film with only two actors in it is really difficult to pull off, it is even more so when the storyline is so lacklustre. At least Gravity had riveting visual effects and superb acting from both George Clooney and Sandra Bullock.

Passengers needed a far more effective twist to elevate the narrative out of a 21st century metaphorical tale about Adam and Eve in the Garden of Eden. One thing is for sure, director Tyldum does make a valid point that humans should not entirely place all their trust in machines. Just look what happened in Terminator. Viewers should judge for themselves.

 

The Veracity of the Story

Kill the Messenger

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Director: Michael Cuesta

Cast: Jeremy Renner, Rosemarie DeWitt, Robert Patric, Mary Elizabeth Winstead, Oliver Platt, Paz Vega, Andy Garcia, Ray Liotta, Tim Blake Nelson, Michael Kenneth Williams, Barry Pepper, Michael Sheen, Gil Bellows, Dan Futterman

Oscar nominee for The Hurt Locker and The Town, Jeremy Renner plays the real life investigative journalist Gary Webb, who while working for the San Jose Mercury News uncovers a complex story involving the CIA, crack cocaine, money laundering and the funding of the Nicaraguan Contra Rebels to topple the Sandinista lead government in a dirty war in the Central American nation – http://en.wikipedia.org/wiki/Nicaragua.

Gary Webb http://en.wikipedia.org/wiki/Gary_Webb expertly played by Renner was best known for his Dark Alliance series of articles which gained international media attention before the days of Wikileaks, which uncovered the origins of crack cocaine on the streets of South Central Los Angeles and allegedly traces its roots and funding back to the CIA which was using the profits of the drug sales to fund the Contra Rebels in Nicaragua in the mid 1980’s to the 1990’s.

Whilst the crux of director Michael Cuesta’s film Kill The Messenger is about media ethics it also delves deeper into the murky world of career and character assignation when the established media houses included The Los Angeles Times and The Washington Post claimed that Webb’s explosive articles could not be substantiated by credible sources as most of those were shady drug runners, secretive government operatives and vanishing Swiss bankers in Panama City.

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The revelations sparked outrage in many of the African American communities of America’s major cities especially Los Angeles. The drug ring helped escalate a crack cocaine epidemic on the streets of many of these cities and more shockingly the profits were being used by the CIA and also paved the way for the Colombian drug cartels to enter the American market.

Webb’s Dark Alliance series focused on the links between three men, Danilo Blandon; Ricky Ross played by Michael Kenneth Williams and a more elusive Norwin Menezes played by Andy Garcia.

What Kill the Messenger shows is that in the days before instant online information leaks which have characterised the 21st century that the American Intelligence community did anything to discredit the author of the story and in this case Webb’s own career and life suffers tremendously when he directly names the CIA in a complex tale of money-laundering, drug running and political interference.

Webb soon resigns from the San Jose Mercury News and takes up a less prolific post in Cupertino, California, while his relationship with his wife and children suffer immensely, as witnessed by his wife Sue played by Rosemarie DeWitt as Sue wife and teenage son Eric played by Matthew Lintz both whom can see that Webb has become a victim of a calculated smear campaign to basically discredit him as an investigative journalist.

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Throughout the entire disownment of the story by established media houses including an internal investigation into the veracity of the sources by Webb’s own newspaper San Jose Mercury News, Webb is convinced that his Dark Alliance series has truth and merit, which besides any investigative flaws did manage to inflame the African American community to demand answers from the Director of the CIA as to the unrelenting flood of crack cocaine in their neighbourhoods.

There is a fundamental shift in Kill the Messenger, which director Cuesta handles intelligently in that the film ceases to be about the story that Webb has uncovered but more about Webb as a person with all his character defects. There is a line in the film which sums this up – “If you put a man under a microscope then all his life’s flaws and discrepancies will come to light”

Renner acts the part of Gary Webb intensely and passionately as he soon realizes that he has become the story and not what his story was about, something not too dissimilar to what has happened to contemporary whistle blowers such as Edward Snowden and Julian Assange.

Kill the Messenger is a fascinating portrait of an investigative journalist who uncovers an international web of corruption, lies and money laundering only to find himself the victim of his own story. Unfortunately the veracity of the story takes its toll on the storyteller.

Cuesta’s film whilst filled with a sprinkling of character actors including a fabulous cameo by Mexican actress Paz Vega and loads of directorial embellishments is not a perfect film, but certainly a provocative story which at least vindicates Gary Webb’s own personal battle to get the truth out there, despite the costs. Recommended viewing for those that enjoyed The Fifth Estate, All the Presidents Men and The Paperboy.

 

 

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