Posts Tagged ‘Sean Harris’

Of Your Best Intentions

Mission Impossible: Fallout

Director: Christopher McQuarrie

Cast: Tom Cruise, Henry Cavill, Sean Harris, Rebecca Ferguson, Vanessa Kirby, Simon Pegg, Ving Rhames, Wes Bentley, Michelle Monaghan, Angela Bassett, Frederick Schmidt

If the formula works, stick to it. Better yet, embellish on it and make it superb. If this is the maxim that brought superstar Tom Cruise to work again with writer director of Mission Impossible: Rogue Nation, then it proves that it works in the highly thrilling adrenaline fuelled sequel Mission Impossible: Fallout set mainly in London and Paris.

Cleverly bringing elements of the original 1996 Mission Impossible, the tightly controlled script adds some new characters in the form of the gorgeous blond femme fatale White Widow wonderfully played with suitable panache by The Crown star Vanessa Kirby who plays the daughter of the elusive espionage facilitator Max, played by Vanessa Redgrave in the original Mission Impossible.

Simon Pegg, Ving Rhames and Michelle Monaghan reunite with Tom Cruise once again reprising his role as the IMF agent Ethan Hunt in a convoluted double crossing narrative in which arch enemy Solomon Lane played by Sean Harris is extracted in a daring sequence on the Parisian streets.

Newcomer to the franchise is Henry Cavill (The Man from U.N.C.L.E) as CIA assassin August Walker who brings a whole new level of male rivalry in the testosterone fueled action sequences containing Walker and Hunt.

Rebecca Ferguson returns as the lethal Ilsa Faust who is moonlighting as a Mi6 agent but secretly helping Ethan Hunt and his team.

From a spectacular rave sequence in Paris to the exteriors of The Tate Modern in London, Mission Impossible Fallout is a brilliant, gritty action film which proves that the combination of McQuarrie as writer and director and Tom Cruise as star is a winning formula.

Unbelievable helicopter stunts over Kashmir and a chase sequence in Paris, makes Mission Impossible: Fallout a must see action films especially recommended for fans of Rogue Nation and Ghost Protocol.

Ethan Hunt’s best intentions fallout as everything goes south literally in this superb sixth installment of the hugely successfully spy series.

Highly recommended viewing and possibly one of the best so far, Mission Impossible Fallout gets a film rating of 9 out of 10.

 

 

Full of Scorpions is my Mind

Macbeth

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Director: Justin Kurzel

Cast: Michael Fassbender, Marion Cotillard, Sean Harris, David Thewlis, Elizabeth Debicki, Paddy Considine, Jack Reynor, David Hayman

Australian director Justin Kurzel’s bold and bloody version of Macbeth envisions a bleak and brutal landscape where Scottish noblemen plot against each other all for the right to become King.

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Possibly Shakespeare’s most bloodthirsty play about power, vengeance and fealty, Macbeth has proved to be a perennial favourite among film makers and theatre performers alike. In this version, the two pivotal roles are played by Oscar nominee Michael Fassbender (12 Years a Slave) and Oscar winner Marion Cotillard (La Vie en Rose) and the combination of their immense talent can be relished as they present a complex interpretation of the scheming Macbeth and Lady Macbeth.

Soon the ambitious couple plot to murder King Duncan of Scotland, played by David Thewlis as he visits their family castle. Macbeth stabs King Duncan multiple times while he is sleeping and promptly dispatches his guards too. Macbeth blames this ungodly crime on the heir apparent, the King’s son Malcolm, played by Jack Reynor, who flees to England to gather an army.

Macbeth claims the Scottish crown for himself but soon absolute power corrupts malignantly and the callous couple plot again to kill Banquo, a friend of Macbeth’s and a rival Scottish nobleman.

During the infamous banquet scene, which is the best in the film, Macbeth in front of his royal retinue is tormented by the images of Banquo’s ghost appearing among the guests to such an extent that he breaks down in front of the Scottish court.

The tyrannical Macbeth wanders into the misty highlands and seeks solace with the three prophetic witches who tell him that his right to be king is threatened by Macduff, “Beware Macduff, Beware the Thane of Fife!”

In the most brutal scene in the film, Macbeth’s soldiers capture Lady Macduff, played by an unrecognizable Elizabeth Debicki (The Great Gatsby) and her three children, whose fate is sealed upon a fiery pyre.

In the final act, Macduff, played by Sean Harris (Mission Impossible: Rogue Nation) returns with ten thousand soldiers and storms Macbeth’s castle and in a fiery confrontation, the two enemies seek vengeance amidst a burning and unforgiving battle, when Birnam wood comes to Dunsinane.

Kurzel’s vision of Macbeth is bloody and dark, the production design comprising strong earthy colours like deep reds, browns and shining gold. The costumes are traditional and authentic.

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Cotillard is brilliant as the deceptively innocent Lady Macbeth, a magnetic and hauntingly beautiful queen who challenges her husband to commit heinous crimes, only to discover that Macbeth is willing to go to unmentionable lengths to retain his crown.

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This 21st century film version of Macbeth is heavily influenced by HBO’s Game of Thrones and is as violent, spectacular and riveting as the hit series, making Shakespeare’s Scottish play accessible to a whole new generation of viewers. This is an epic portrayal of twisted fealty, rivalry and horrific ambition, held together by two masterful actors playing iconic characters, imbuing their scenes together with a brilliant Machiavellian mischief, bordering on insanity and unchecked bloodlust.

Visually stunning, violent and superbly atmospheric, this vivid version of Macbeth is one not to be missed by cinema lovers and Shakespeare scholars alike.

 

 

 

 

Manifestation of Destiny

Mission Impossible: Rogue Nation

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Director: Christopher McQuarrie

Cast: Tom Cruise, Simon Pegg, Jeremy Renner, Sean Harris, Rebecca Ferguson, Alec Baldwin, Tom Hollander, Ving Rhames, Simon McBurney

Tom Cruise reunites with Jack Reacher director Christopher McQuarrie in the fifth instalment of the hugely successful Mission Impossible franchise with the latest film, Mission Impossible: Rogue Nation. Unlike the Brad Bird directed Ghost Protocol, which was lavish and outlandish, Rogue Nation is a more grittier and muscular spy thriller, both written and directed by McQuarrie, with pristine cinematography by Robert Elswit and returns to a more European feel which the original Mission Impossible film had back in 1996 classically directed by Brian de Palma.

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Cruise is joined again by Jeremy Renner (Ghost Protocol, The Avengers), Ving Rhames (Mission Impossible 1,2 and 3) and Simon Pegg (Ghost Protocol, Star Trek Into Darkness).

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The female role is brilliantly taken up by the blue-eyed Swedish actress Rebecca Ferguson (Hercules) as the femme fatale British agent Ilsa Faust who gives her male counterparts a run for their money.

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Sean Harris (Prometheus) plays the sinister silver-haired villain Soloman Lane with a steely reserve and a distinctly British coldness, who is the mastermind behind the syndicate controlling several rogue agents hence the term rogue nation.

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Alec Baldwin (The Cooler, Still Alice) plays the exasperated IMF chief who has to answer to the bigwigs at Langley, Virginia and orders Brandt played by Renner to find the elusive Ethan Hunt, still expertly played by Cruise who is on a covert mission in Vienna, Austria to uncover the sinister syndicate, a supposed spook organization made up of international ex-spies which are responsible for all sorts of nefarious worldwide events from plane crashes to assassinations. The Vienna sequence during a performance of Turandot at the Opera House is clearly inspired by The Quantum of Solace, and earlier Bond films and is superbly choreographed.

The action moves swiftly to the exotic location of Casablanca, Morocco to what must be one of the best sequences in the film, the breaking in at a desalination plant on the outskirts of the city, which naturally leads to a spectacular chase sequence involving BMWs and motorbikes ending up along a desert highway.

Mission Impossible: Rogue Nation has all the hallmarks of a classic British spy thriller and as the nail biting narrative returns to London in the closing section of the film, the brittle spy jargon is superbly written by McQuarrie with such lines as “Ethan Hunt is the Manifestation of Destiny”.

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Mission Impossible: Rogue Nation is highly recommended, beautifully paced, eloquently written and the muscular action sequences will not disappoint right up to the suspense filled climax. Fans of the previous films will enjoy Rogue Nation and hope that this is surely not the end of a hugely successful and fascinating film franchise which has always had amazing stunts, brilliant action sequences and exotic locations, the bespoke ingredients of any spy thriller.

 

 

Origin of the Species

Prometheus

Ridley Scott’s much anticipated prequel to Alien, Prometheus contains astounding visuals and superb special effects and thematically centres on the anthropological term of first contact whereby mankind goes into deep space in search of their mysterious origins and discovers species bent on annihilation. Featuring an all star international cast including Noomi Rapace from the Swedish version of The Girl with the Dragon Tattoo, as the pivotal role of Shaw, Michael Fassbender from Xmen: First Class and Inglorious Basterds as David and South African Hollywood superstar Charlize Theron as Meredith Vickers, Prometheus follows the terrifying journey of the Prometheus spaceship into an unchartered planet to discover the origins of mankind.

Whilst the origin of species  remains questionable this film theorises that it is all down to a gradual mutation of DNA and naturally instinctive survival is paramount, in this case one species dominating the others through treachery and deceit. In Greek Mythology Prometheus is a titan who is credited with the creation of man but is also punished by Zeus for the theft of fire for human use – http://en.wikipedia.org/wiki/Prometheus. In the sci-fi universe of Prometheus man’s creation and the discovery of something infinitely more powerful than fire is all consuming.

Man’s insatiable quest for knowledge about their origins and his desire for answers that leads the motley crue of the ship to discover not one, but two alien races, one whose DNA feeds off the originator like a parasite and transforms into something purely evil and instantly recognizable. The only answer to creation provided in this film is to the question that the dubious David asks about his maker to Shaw’s love interest the doomed Dr Holloway played by Logan Marshall-Green last seen in 2009’s Brooklyn’s Finest.

As in the visually spectacular Blade Runner, Ridley Scott’s iconic dreamlike vision of the future set in Los Angeles in 2019, which now as it happens is not that far off, Prometheus is set in 2095 and predicts humans quest to discover other life forms, a journey, which like most space travel in the 21st century is predominantly sponsored by large commercial corporations represented in this film by the icy crew manager Vickers played by Theron. Prometheus like Blade Runner and Alien is pure sci-fi thriller with some astounding visuals but leaves the audience  slightly lost in space as the elusive narrative drifts towards a rather sudden and unpredictable climax.

Where the plotlines rupture with some fascinating twists, it is the technical superiority of this film which triumphs making Prometheus eclipse Avatar on so many levels and is worth watching on a cinematic widescreen with digitally enhanced surround sound.

Like Alien, Thelma and Louise and GI Jane, Ridley Scott has often relied on strong female leads to carry his films, and Noomi Rapace is brilliantly cast as the gritty Dr Elizabeth Shaw and carries the intensity of such a murky monochromatic  movie. Best scene is Shaw’s speedy self diagnosis and instant electronic caesarian. Prometheus is brilliant as a Sci-Fi film and an enigmatic prequel, but is not Ridley Scott’s best work, yet still thoroughly entertaining but not quite as terrifying as the original Alien movies or the horrific Event Horizon and like Avatar could have been enhanced by a Sigourney Weaver cameo.

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