Posts Tagged ‘Taylor Swift’

A Night at the Egyptian

Cats

Director: Tom Hooper

Cast: Judi Dench, Idris Elba, Taylor Swift, Francesca Hayward, Jason Derulo, Jennifer Hudson, Ian McKellen, Rebel Wilson, James Corden, Laurie Davidson, Robbie Fairchild, Ray Winstone, Steven McRae, Danny Collins

Based upon Modernist poet T. S. Eliot’s poetry collection, Old Possum’s Books of Practical Cats, Andrew Lloyd Webber’s Cats the musical has been a Broadway and West End hit for decades.

The film version of Cats directed by Les Miserables director Tom Hooper is fascinating, surreal but also quite lacklustre and this is due to the uneven casting of the film.

Cats as a film has superb production design with brilliantly realized costumes and sets, but viewers must be familiar with the Theatre production of Cats which was primarily about movement, dancing and singing.

To turn such a successful theatrical production of Cats into a hit film is a daunting task for any director. Despite Tom Hooper’s success with such films as Les Miserables, The Danish Girl and The King’s Speech, he unfortunately misses a golden opportunity to make the cinematic version of Cats absolutely dazzling and that has a lot to do with the strange casting choices for the roles.

While Oscar winner Judi Dench (Shakespeare in Love) adds gravitas as Old Deuteronomy, Idris Elba’s green eyed Macavity is just plain weird and as for Rebel Wilson and James Corden, they should not have been cast at all as their interpretation of Jennyanydots and Bustopher Jones is utterly cringe worthy.

What saves Cats is Oscar winner Jennifer Hudson’s interpretation of Grizabella as her solo numbers are superb and she really anchors the film with a brilliant onscreen performance and fantastic singing.

All the professional singers cast in Cats are really good, including a mesmerizing performance by Taylor Swift as Bombalurina whose onscreen entrance is clearly inspired by Nicole Kidman’s entrance in Baz Luhrmann’s masterpiece Moulin Rouge. Jason Derulo equally holds his own as Rum Tum Tigger and Laurie Davidson’s interpretation of Mr Mistoffelees is spot on and charming.

The narrative arc of Cats goes completely off track but audiences must remember that the musical was loosely based on a collection of lyrical poems, so there was never a strong story to begin with. The middle of Cats is entertaining especially the tap dance scene performed by Steven McRae as Skimbleshanks. Newcomer Francesca Hayward holds her own as the novice feline Victoria.

Unfortunately the beginning and ending are terrible and audiences get a sense that director Tom Hooper was a bit out of his depth with this film production. But perhaps if Baz Luhrmann had directed it, viewers would have gotten an entirely unique interpretation.

Cats as a film is enjoyable but not brilliant, saved by magnificent soloist performances, solid production design and generally speaking the cinematic effort should be applauded and not so universally mocked as it has been on social media.

Despite the dubious casting choices, Cats only gets a film rating of 6.5 out of 10 and is really aimed at ardent fans of the hit musical production.

Utopia Unraveled

The Giver

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Director: Phillip Noyce

Stars: Meryl Streep, Brenton Thwaites, Alexander Skarsgard, Jeff Bridges, Katie Holmes, Taylor Swift, Odeya Rush, Cameron Monaghan

Australian director Phillip Noyce (Rabbit Proof Fence, Salt) takes on the big screen adaptation of the 1993 Lois Lewry allegorical Sci-Fi novel The Giver.

Shot mostly in Cape Town, with the iconic Greenpoint stadium as its main focal point, The Giver follows a Utopian society on a mesa, a sort of elevated plateau where a seemingly perfect yet ominously drugged society exists. Imagine a society with no colour, no differences, no desires and no envy, a society in which all the deeper human emotions have been eradicated.

Brenton Thwaites last seen in Maleficent, has a more prominent role as Jonas a young man who definitely realizes that this version of Utopia in which he graduates into is not quite as it seems. The Utopian Society is presided over by the Elder, in a strange casting choice for Meryl Streep to appear in a sci-fi thriller. Naturally Streep inhabits the role with just the right amount of malice and omniscience to scare the citizens of this perfect world.

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Upon his graduation, Jonas is assigned to be the receiver of knowledge and must leave his constructed parents played in a deadpan fashion by Katie Holmes and Alexander Skarsgard and visit The Giver, a bearded and wise Jeff Bridges, who transports all of the society’s so called memories, painful and exhilarating to Jonas via human touch.

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The Giver being the keeper of knowledge naturally lives in a library called The Edge, beyond which is Elsewhere. This film is purely allegorical and philosophical and whilst Jonas’s courageous attempt to escape the Utopian society are fraught with potential danger and deception, his rebellion is not based on a motivated counterpoint, nor for that matter is the real reason for creating such a bland uniform society. In essence Jonas is escaping a bizarre pristine gated community.

The Giver could have been a real significant sci-fi thriller yet despite some flamboyant directorial embellishments which include a whole series of memory flashbacks of human emotions, wars and iconic leaders, the film does not live up to its hype as something truly astounding unlike the Tom Cruise sci fi Oblivion. There are no twists or turns, more an allegorical tale about the importance of celebrating difference and appreciating individuality, two aspects which this Utopia suppresses ultimately leading to Jonas’s rebellion.

Despite the casting of Oscar heavy weights Jeff Bridges and Meryl Streep, The Giver comes off as a mediocre version of The Hunger Games without the intensity or the violence. Thwaites as an actor holds his own as Jonas while the rest of the cast seem to pale literally in comparison except for the baby Gabriel, whom Jonas is desperate to save.

Then again babies don’t need to act, they are spontaneous. Its only constructed organized society which restricts adult individuality and creates a utopian order which given time will always unravel naturally. The Giver is bland viewing shot alternatively in black and white with dashes of colour, a narrative without much cathartic release, leaving lots of implausibility and questions. The film also stars Country Music Singer Taylor Swift as the mysterious Rosemary, Odeya Rush as Jonas’s love interest Fiona and Cameron Monaghan as his dubious friend Asher.

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