The Creator’s Wrath

Noah

noah

Director: Darren Aronofsky

Cast: Russell Crowe, Jennifer Connelly, Emma Watson, Logan Lerman, Ray Winstone, Anthony Hopkins, Douglas Booth, Nick Nolte

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Oscar winners Russell Crowe (Gladiator) and Jennifer Connelly team up again after their successful onscreen pairing in Ron Howard’s A Beautiful Mind, in Black Swan director Darren Aronofsky’s allegorical tale Noah, which has less to do with the bible story and more to do with humanity propensity for destroying the planet.

This visually packed tale of Noah, the ark and the great flood which ensues is inventive, patriarchal and slightly disappointing considering Aronofsky’s reputation for turning out shocking, if not provocative films like Requiem for a Dream, The Wrestler and his most successful film yet Black Swan, which earned Natalie Portman a Best Actress Oscar in 2011.

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Russell Crowe looks increasingly perplexed throughout the film of Noah, almost if he knew this cinematic tale might turn out controversially. The script is stilted and not thrashed out properly and even though the film is in 3D, many of the characters are one dimensional. Which is a pity considering that Aronofsky smaller films do focus on flawed characters trying to grapple with their own success or failure.

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British actor Ray Winstone as Tubal-cain and Logan Lerman as Noah’s son Ham stand out in the acting stakes in this version of Noah, while Crowe, Connelly and even Emma Watson come across as pathetic individuals caught up in an event greater than their own destinies, even though their destinies are tied in with the flood which devastated a ravaged earth, thanks to the descendants of Cain, who have wrecked havoc on the planet’s natural resource.

The whole dynamic of the creation narrative rests on  conflict. Adam and Eve enter the Garden of Eden and are confronted by temptation in the form of a serpent. Their children Cain and Abel battle jealousy and envy with Cain killing Abel, leaving a third brother Seth, of which Noah is descended to recover the familial equilibrium. Then the Creators Wrath returns and after a prophesy from Noah’s Grandfather, a wizened Anthony Hopkins that he should build an ark to survive the impending flood, Noah sets his three sons on a mission to complete a gigantic arc to save themselves and a handful of creatures so that a new population can inhabit a cleansed earth. The irony is that Director Aronofsky should not convince big budget Hollywood to give him free reign on an essentially biblical story.

Purists would not be pleased at the cinematic result which is Noah, not to mention that the narrative does not withstand the special effects and somewhere in between the flood, the entire plot is lost. Noah is an overlong allegorical and patriarchal tale with a hint of biblical connotation but is no cinematic masterpiece. Director Aronofsky should return to making small budget shocking films like the psycho sexual ballet thriller, Black Swan. Even Oscar nominated cinematography Matthew Libatique’s trademark sheen is lost on the 3D version of Noah.

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If Noah had been less about visual effects and more about a conceivable plot, then the film would have been vaguely interesting. Even Emma Watson’s (The Bling Ring) turn as Ila, Noah’s eldest son’s girlfriend and mother-to-be is not nearly as captivating. Where is all the sex, debauchery and shock value normally associated with Aronofsky films?  Noah is fascinating, but not fantastic cinema and would be better if left in 2D with a more fleshed out, stimulating narrative. Noah also stars Douglas Booth and unrecognizable Nick Nolte.

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