Posts Tagged ‘Forest Whitaker’

The Wakanda Usurper

Black Panther

Director: Ryan Coogler

Cast: Chadwick Boseman, Lupita Nyong’o, Michael B. Jordan, Sterling K. Brown, Daniel Kaluuya, Martin Freeman, Andy Serkis, Forest Whitaker, Danai Gurira, Letitia Wright, Angela Bassett, Winston Duke, John Kani

Marvel successfully diversifies its Avengers universe with an inventive self-sustaining Black Panther film. The Black Panther aka T’Challa who becomes king of the technologically advanced yet exclusive central African kingdom of Wakanda after his father T’Chaka played by South Africa’s John Kani is killed in an assassination.

Creed director, Ryan Coogler assembles an all-star cast for Black Panther including Oscar winners Lupita Nyong’o (12 Years a Slave) as Black Panther’s love interest, the beautiful and noble Nakia as well as Forest Whitaker (The Last King of Scotland) as Zuri along with Angela Bassett as Black Panther’s regal mother and Queen of Wakanda, Ramonda.

Black Panther has to fight off the likes of a crazy South African mercenary Ulysses Klaue dubiously played with a terrible accent by Andy Serkis (War for the Planet of the Apes) attempting to steal smuggled vibranium from Wakanda at a buying exchange in Busan, South Korea, a scene in the film which is both brilliantly shot and innovatively orchestrated with a virtual reality car chase sequence.

Back on African soil, T’Challa soon realizes that the real enemy is the American born Erik Killmonger wonderfully played by Michael B. Jordan (Fantastic Four). With the able assistance of his cheeky sister Shuri fantastically played by British-Guyanese star Letitia Wright, Black Panther manages to fight Killmonger in a noble duel about the paternal claim to be the future King of Wakanda.

Director Ryan Coogler ingenuously incorporates lots of African tribalism and cool technology into Black Panther however he does take the superhero genre too seriously by unashamedly politicizing it. This is the Avengers after all, which Spiderman has just joined. Superhero movies are meant to be pure escapism, which is precisely why director Taika Waititi’s Thor: Ragnorak was such a refreshingly funny movie.

What remains to be seen is how effectively Black Panther will be blended into the mainstream Avengers films with the new Avengers: Infinity War opening soon. Chadwick Boseman is not as convincing as the main hero, Black Panther as his counterpart Michael B. Jordan who relishes playing the ruthless villain.

Lupita Nyong’o holds her own and kicks some butt in Black Panther as does rising star Letitia Wright who is an actress to watch out for. Golden Globe winner Sterling K. Brown has a minor role while Oscar nominee Daniel Kaluuya (Get Out) is suitably untrustworthy as Black Panther’s best friend and Wakanda protector W’Kabi.

Whether the much hyped Black Panther’s initial success in African cinemas is translated commercially to international audiences globally remains to be seen, yet the effort and rejuvenation of the highly anticipated Black superhero genre is applauded and provides starring roles for a host of African-American stars who have been clamouring for their own identifiable superhero film.

Marvel fans that enjoyed Captain America: Civil War and The Avengers franchise will certainly appreciate Black Panther, despite some uneven performances. At least now there is a guaranteed diversity of fans attending Comic-Con especially since its coming to Johannesburg in late 2018.

For all its vibrant celebrations of African culture, Black Panther gets a film rating of 7 out of 10.

 

Rebellion in the Galaxy

Rogue One: A Star Wars Story

Director: Gareth Edwards

Cast: Felicity Jones, Diego Luna, Forest Whitaker, Mads Mikkelsen, Riz Ahmed, Alan Tudyk, Ben Mendelsohn, Jimmy Smits, Donnie Yen, Wen Jiang, Alistair Petrie, Genevieve O’Reilly, Carrie Fisher, James Earl Jones

British director Gareth Edwards grew up on the original Star Wars Trilogy like most young kids born in the 1970’s and was heavily influenced by directors George Lucas and Steven Spielberg. The Godzilla and Monsters director pays homage to the original Star Wars trilogy in the superb spinoff film, Rogue One: A Star Wars Story featuring a diverse ensemble cast.

Felicity Jones

In the lead roles are British actress and Oscar nominee Felicity Jones (The Theory of Everything, Inferno) as Jyn Eso and Mexican star Diego Luna (Milk, Elysium) as Cassian Andor along with Danish actor Mads Mikkelsen (Casino Royale) as Eso’s father Galen Eso and unrecognizable Riz Ahmed (The Reluctant Fundamentalist) as treasonous Empire pilot turned Rebel Bodhi Rook.

Diego Luna

Audiences must remember that Rogue One: A Star Wars Story is a prequel to the original Star Wars film made in 1977 and centres on the rebels lead by Eso who plan on stealing the plans to the Empire’s galactic weapon of mass destruction, The Death Star. As the film unfolds and there is lots of inter-planetary travelling, Eso along with Andor and an Empire droid wonderfully played by Alan Tudyk battle the mighty Empire commandeered by an evil Orson Krennic superbly played by the blue eyed Australian star Ben Mendelsohn (Mississippi Grind).

Ben Mendelsohn

What is most impressive about Rogue One: A Star Wars Story is the tight narrative and impressive visual effects, the plot ably written by screenwriters Tony Gilroy and Chris Weitz who pepper the action packed intergalactic journey with visual treasures and homages to the original Star Wars trilogy which dazzled the world back in the 1970’s and 1980’s.

Riz Ahmed

Any fanboy or girl of the original trilogy especially the first two films, Star Wars and The Empire Strikes Back will appreciate all the references in Rogue One: A Star Wars Story including the Death Star, brief appearances by the malignant Darth Vader voiced again by James Earl Jones and even a glimpse of R2D2 and C3PO as the droids wave goodbye to Eso and the gang as they travel to Scarrif, a tropical island planet with an Empire base which resembles the Palm Jumeirah in Dubai resulting in one of the best battle sequences seen in any of the Star Wars films.

Director Edwards sets the bar high with Rogue One with a tight storyline, witty dialogue and solid central performances by Felicity Jones and Diego Luna. There is also some influential supporting roles including Oscar winner Forest Whitaker (The Last King of Scotland) as Saw Gerrera who is Jyn Eso’s guardian after her father Galen is mysteriously captured by the Empire Stormtroopers and Jimmy Smits (Star Wars: Revenge of the Sith) reprising his role as Senator Bail Organa.

Rogue One: A Star Wars Story is a superb prequel, a visual sci-fi feast which will have specific appeal to the dedicated fans of the Star Wars franchise. Now that George Lucas has sold the rights to Disney, the Star Wars universe is going to expand exponentially and in more innovative ways, cashing in at the all international box offices as each new film gets released.

This is highly recommended viewing for lovers of this extraordinarily imaginative Sci Fi franchise. If you love Star Wars then don’t miss Rogue One, it’s a classic.

 

The Universal Language

Arrival

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Director: Denis Villeneuve

Cast: Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stulbarg, Mark O’Brien, Tzi Ma

With a screenplay by Eric Heisserer based on the story “Story of Your Life” written by Ted Chiang, French Canadian director Denis Villeneuve’s latest film Arrival gives Oscar nominee Amy Adams (American Hustle, The Master, Doubt) full scope to flex her truly extraordinary acting abilities.

Adams plays a Linguistics expert Dr. Louise Banks who is enlisted by the US army, when an alien space craft lands in Montana. However as Arrival gains momentum, it appears that there are 11 other similar alien space crafts that have landed unexpectedly in places throughout the world from The Sudan to Venezuela.

Banks is joined by Ian Donnelly played by Oscar nominee Jeremy Renner (The Hurt Locker, The Town) as they become the proverbial couple who must make first contact with the aliens and decipher their complicated circular means of communication and ultimately discover what their true purpose is on earth? Are they friendly aliens or have they come to annihilate earth?

arrival

As other nations around the world become increasingly hostile to the foreign ships in their territories, mainly China and the American military is becoming more trigger happy that the aliens which take the form of giant squid have malignant intentions, Banks and Donnelly must race against time to establish a pattern of communication to discover their real intention.

Skilfully shot and mostly done in a murky light, cinematographer Bradford Young photographs Arrival very dimly at first but soon as the narrative progresses, the film becomes brighter and more explanatory.

What really makes Arrival so distinctive a film, especially about the possibility of contact with alien life forms is the skillful direction of Villeneuve who portrays the contacts between Banks and the aliens in a non-linear form.

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Secondly, it is Amy Adams superb performance as Dr Louise Banks who is desperate to not only save humanity but forge a future for herself beyond this supernatural event. Adams is brilliant in this role and most of the screen time is taken up with her contradicted thoughts and emotional turmoil as the mental toll of what she is trying to achieve is distinguishable in every frame.

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Whilst the rest of the cast including Renner and Oscar winner Forest Whitaker (The Last King of Scotland) playing Colonel Weber along with character actor Michael Stulbarg as Agent Halpern all inhabit peripheral roles, it is Amy Adams’s performance which makes Arrival so absorbing to watch.

Visually the film is dark and almost perplexing but director Villeneuve handles the subject matter of first contact so elegantly that for moments, audiences will forget they are watching a sci-fi film.

Arrival is an extraordinary film with many intuitive moments much like the Universal Language that Dr Louise Banks discovers and ultimately ends on a poignant note, without resorting to corny or special effects laden farce. Arrival is a cinematic treat exploring how we as human beings assimilate language, despite there being so many different variations. Highly recommend viewing.

 

 

 

60th BAFTA Awards

THE  60TH BAFTA AWARDS /

THE BRITISH ACADEMY FILM AWARDS

Took place on Sunday 11th February 2007 in London

BAFTA WINNERS IN THE FILM CATEGORY:

The Queen

Best Film: The Queen

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Best Director: Paul Greengrass – United 93

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Best Actor: Forest Whitaker – The Last King of Scotland

Best Actress: Helen Mirren – The Queen

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Best Supporting Actor: Alan Arkin – Little Miss Sunshine

dreamgirls

Best Supporting Actress: Jennifer Hudson – Dreamgirls

Rising Star Award: Eva Green

Best British Film: The Last King of Scotland

Best Original Screenplay: Michael Arndt for Little Miss Sunshine

Best Adapted Screenplay: Peter Morgan and Jeremy Brock – The Last King of Scotland

untitled

Best Costume Design: Pan’s Labyrinth

Best Foreign Language Film: Pan’s Labyrinth directed by Guillermo del Toro (Mexico/Spain)

Source: 60th BAFTA Awards

No Messing with Mills

Taken 3

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Director: Olivier Megaton

Cast: Liam Neeson, Maggie Grace, Famke Janssen, Dougray Scott, Forest Whitaker, Sam Spruell, Don Harvey

Oscar Nominee for Schindler’s List Liam Neeson reprises his role as ex-CIA operative Bryan Mills in the third installment of the hugely successful Taken franchise. French director Olivier Megaton with a script by Luc Besson and Robert Mark Kamen, Taken 3 does not disappoint as a gritty muscular and tenacious thriller aimed for the 35 plus age group.

The first film Taken was set in Paris and the second film was set in Istanbul and now Taken 3 sees the much blighted Mills family in their home city of Los Angeles.

When Mill’s ex-wife Leonore St John played by Famke Janssen is mysteriously murdered, he is framed for the crime. Not wanting to becoming a guest of the LAPD, Miller ingeniously escapes from the police and goes on a vicious quest to find out who really killed his ex-wife and mother of his beloved daughter Kim played by Maggie Grace, who was the victim of a kidnapping in Taken and nearly sold into the sordid sex trade of Paris.

As the intricate plot of Taken 3 unfolds, it is revealed that Leonore’s relationship with her estranged and slimy husband Stuart St John played by Dougray Scott (Ripley’s Game, Mission Impossible 2) is not what it appears. St John owes large amounts of cash to the Russian mafia through some dodgy arms deals who can be particularly unforgiving when one doesn’t pay their debts.

taken_three

Veteran ex-CIA agent Bryan Mills knows there is a frame up and in a terrifying and exhilarating cat and mouse game Miller is pursued by wily LAPD detective Frank Doltzer wonderfully played by Oscar winner Forest Whitaker (The Last King of Scotland) who soon realizes that Mills is no ordinary opponent. Liam Neeson has the gravitas and the tough guy image to be taken seriously as a hardened father who does not let anyone mess with his family. For there is no messing with Mills -he will find you and kill you.

Without spoiling the rest of the story, Taken 3 is a fast-paced well directed and gritty action thriller which sees Mills cause havoc on a Los Angeles freeway, at a University campus and in the penthouse of nefarious Russian mobster Oleg Malankov played by Sam Spruell (The Hurt Locker).

This is a shoot first and ask questions later film, with stunning action sequences and a fitting way to end the third installment of a gritty action trilogy.

With the razor sharp editing and unforgiving hand to hand combat sequences, the original Taken was such a surprise hit, with its trademark of unrelenting violence in a mature machismo style, it was no wonder that two more sequels were in order.

Taken 3 does not disappoint action fans and those that loved the first two films. Highly recommended viewing for those that like their action heroes older, tougher and wiser.

64th Golden Globe Awards

64th Golden Globe Awards

Took place on Sunday 15th January 2007 hosted by the Hollywood Foreign Press Association

Golden Globe Winners in The Film Categories:

babel

Best Film Drama – Babel

departed

Best Director: Martin Scorsese – The Departed

dreamgirls

Best Film Musical or Comedy: Dreamgirls

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Best Actor Drama: Forest Whitaker – The Last King of Scotland

The Queen

Best Actress Drama: Helen Mirren – The Queen

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Best Actor Musical or Comedy: Sacha Baron Cohen – Borat

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Best Actress Musical or Comedy: Meryl Streep – The Devil Wears Prada

Best Supporting Actor: Eddie Murphy – Dreamgirls

Best Supporting Actress: Jennifer Hudson – Dreamgirls

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Best Foreign Language Film: Letters from Iwo Jima (Japan/USA)

Source:

http://en.wikipedia.org/wiki/64th_Golden_Globe_Awards

Taking off the White Gloves

The Butler

The butler

 

Director: Lee Daniels

Starring: Forest Whitaker, David Oyelowo, Oprah Winfrey, Jane Fonda, Vanessa Redgrave, Robin Williams, Liev Schreiber, Alan Rickman, John Cusack, Alex Pettyfer, James Marsden, Terrence Howard, Cuba Gooding Jr, Lenny Kravitz, Minka Kelly, Mariah Carey.

The Oscar nominated director of Precious, Lee Daniels assembles an all star cast in the elegant and brutal chronicle of the American Civil Rights Movement from the Georgia cotton picking days of 1926 to the historic election of Barack Obama as the first African American president of the United States in 2008.

With a screenplay by Danny Strong based on Wil Haygood’s article “A Butler Well Served by this ElectionThe Butler follows the life of Cecil Gaines, a loyal and trusted African American butler to seven American presidents from Dwight D. Eisenhower (played by Robin Williams) in 1957 to Ronald Reagan (played by Alan Rickman) in 1986 at the White House and features a staggeringly Oscar worthy performance by Forest Whitaker, Oscar winner for the extraordinary film The Last King of Scotland, whose sturdy and nuanced performance makes this historical film a must see. Alongside Whitaker portrayal of Gaines, is another wonderful performance by Talk Show Queen Oprah Winfrey as his hard drinking wife Gloria Gaines who along with her husband has to live through the turbulent sixties and seventies watching helplessly as one son Louis Gaines brilliantly portrayed by David Oyelowo gets involved in the civil rights movement in the Deep South whilst their youngest son Charlie joins up to fight in Vietnam.

During the Butler’s time at the White House he serves a range of American Presidents from JFK (played by James Marsden) to Nixon during the Watergate scandal, from Lyndon B. Johnson (played by Liev Schreiber) during the Vietnam War through to Ronald Reagan and his vetoing of sanctions against Apartheid South Africa in the mid 1980’s.

Whilst Daniels film is a clear tribute to the huge impact made by the American civil rights movement, the viewer at times will feel like they are watching a History Channel documentary. Yet despite the racial politics, at the heart of The Butler is the equally tumultuous yet tender relationship between Cecil Gaines and his family. Gaines employed as a White House Butler cannot jeopardize his job employed in service at the iconic seat of American power where ironically there is no room for politics. He cannot participate himself in the increasingly active American civil rights movement of the sixties, whilst his son Louis gets politically involved as he attends Fisk University in Tennessee.

From Gandhi inspired sits ins at segregated restaurants in Alabama to Freedom Bus rides through Klu Klux Klan riddled Mississippi, Louis finds his own identity as a civil rights activist only stopping short of joining the increasingly militant Black Panther movement which plagued the Nixon Administration in the early 1970’s. Gloria Gaines, wonderfully played by Winfrey has to manage two sons, an absent husband and an increasingly reckless lifestyle whilst adjusting to the ever changing race relations in contemporary American society.

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The Butler takes off the white gloves in examining the contentious issue of America’s history of race relations. Director Daniels expertly splices scenes of a brutal attack by white students on members of the civil rights movement at a Tennessee diner with images of Cecil Gaines and his fellow butlers Carter Wilson played by Cuba Gooding Jr and James Holloway played by Lenny Kravitz laying an immaculate table for White House state dinners, reminiscent of Merchant Ivory’s superb period drama Remains of the Day about the crumbling of the British class system in the late 1930’s prior to the outbreak of World War II.

What really makes The Butler so utterly absorbing is Forest Whitaker’s powerful performance as Cecil Gaines who whilst in service humbly retains only one constant request of equal wages from his White House employers. The rest of the star studded cast including veteran actors Vanessa Redgrave (Howard’s End) and Jane Fonda (On Golden Pond) really only have very brief scenes. John Cusack stands out as a troubled hard drinking Nixon in the wake of the Watergate scandal in 1972.

For lovers of period dramas with an expansive historical context, The Butler is recommended viewing. Director Lee Daniels expertly manages a huge and contentious time span of American history along with an impressive ensemble cast while extracting superb performances by Forest Whitaker, Oprah Winfrey and David Oyelowo, making The Butler like his previously provocative film Precious a firm Oscar favourite.  A highly recommended and masterful piece of cinema.

 

79th Academy Awards

79th Academy Awards

25th February 2007

Oscar Winners at the 79th Academy Awards

 departed

Best Picture: The Departed

Best Director: Martin Scorsese The Departed

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Best Actor: Forest Whitaker – The Last King of Scotland

The Queen

Best Actress: Helen Mirren – The Queen

little_miss_sunshine_ver4

Best Supporting Actor: Alan Arkin – Little Miss Sunshine

dreamgirls

Best Supporting Actress: Jennifer Hudson – Dreamgirls

Best Original Screenplay: Michael Arndt – Little Miss Sunshine

Best Adapted Screenplay: William Monahan – The Departed

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Best Foreign Language Film: The Lives of Others directed by Florian Henckel von Donnersmarck (Germany)

Best Documentary Feature: An Inconvenient Truth directed by Davis Guggenheim

babel

Best Original Score: Gustavo Santaolalla – Babel

untitled

Best Cinematography: Guillermo Navarro – Pan’s Labyrinth

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Best Costume Design: Milena Canonero – Marie Antoinette

Best Film Editing: Thelma Schoonmaker – The Departed

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Best Visual Effects: Pirates of the Caribbean: Dead Man’s Chest

Source: http://en.wikipedia.org/wiki/79th_Academy_Awards

 

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