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Tulip Fever

Director: Justin Chadwick

Cast: Alicia Vikander, Christoph Waltz, Dane DeHaan, Cara Delevingne, Judi Dench, Jack O’Connell, Kevin McKidd, Holliday Grainger, Tom Hollander, Zach Galifianakis, Joanna Scanlan, David Harewood, Sebastian Armesto, Matthew Morrison, Douglas Hodge

British director Justin Chadwick (The Other Boleyn Girl, Mandela: The Long Walk to Freedom, The First Grader) tackles a cinematic version of Deborah Moggarch’s novel Tulip Fever with the literary assistance of Anna Karenina screenwriter Tom Stoppard.

Assembling an international cast including Oscar winner Christoph Waltz (Django Unchained) and fellow Oscar winner Alicia Vikander (The Danish Girl), Tulip Fever is set in Amsterdam in 1623 at the height of the Tulip trade which flourished in the Netherlands and was in essence the first stock market which blossomed illicitly behind Tavern doors and co-opted by solicitous nuns who grew the beautiful flowers in sacred abbeys away from the hustle of Dutch city life.

With sumptuous costumes by Michael O’Connor and suitably dark production design by Simon Elliott, Tulip Fever focuses on the young orphan Sophia Sandvoort superbly played by Vikander who is forced to marry the wealthy yet childless Burgermeester (local mayor) Cornelious Sandvoort played by Waltz.

Like all Dutch noblemen, Sandvoort commissions a young and impoverished painter to paint the couple’s portrait, a 17^th century trend which made Rembrandt famous. In steps the exuberant and excitable Jan van Loos played by Dane DeHaan (Valerian, Kill Your Darlings).

Soon van Loos falls for the ravishing Sophia and deception is conceived mainly for her to escape from her pompous husband who really wants to impregnate her with his preferably male heir.

In a parallel narrative, Sophia’s devoted maid, Maria played by British actress Holliday Grainger (Jane Eyre, The Finest Hours, Cinderella) has fallen for the charming if not smelly fishmonger Willem Bok played by Jack O’Connell (Unbroken) who aspire to get married and have six children together.

In a bizarre twist both Bok and van Loos, two young men desperately trying to increase their liquidity embark on making money on the booming tulip trade, in which the precious bulbs fluctuated in price depending on their rarity and natural beauty of the elusive flower.

Oscar winner Judi Dench (Shakespeare in Love) plays the Abbess who has to sternly guide the young men in the flourishing yet turbulent tulip trade while the Netherlands was expanding its colonial empire to the Dutch East Indies and South Africa.

Despite the slightly convoluted plot and frenetic story line, Tulip Fever is an enjoyable and raunchy period drama held together by amazing performances by the four main leads which serves as a Dutch version of Twelfth Night.

Audiences that enjoyed Girl with a Pearl Earring and Shakespeare in Love, will undoubtedly love Tulip Fever, which provides a fascinating cinematic perspective on the brief but flourishing Tulip trade which made the Netherlands one of the riches countries in Europe especially in the 17^th century, establishing their own national stability and making them the money lenders of Europe.

With all the deceit, obsession and money trading, Tulip Fever is a riotous period drama and gets a film rating of 7 out of 10.

Tulip Fever is recommended viewing as a historical drama with a uniquely Dutch twist.

Only the Brave

Director: Joseph Kosinski

Cast: Miles Teller, Josh Brolin, Jennifer Connelly, Andie MacDowell, Taylor Kitsch, James Badge Dale, Jeff Bridges, Ben Hardy, Josh Hopkins, Thad Luckinbill

Based on the GQ article No Exit written by Sean Flynn with the assistance of fellow screenwriters Ken Nolan and Eric Warren Singer, Only the Brave is an extraordinary tale of bravery, courage and heroism, illustrating the eternal battle of Man Versus Nature.

Oblivion director Joseph Kosinski using the cinematic motif of a grizzly bear running through the forest engulfed in flames, Only the Brave is a remarkable film held together by solid acting especially by Oscar nominee Josh Brolin (Milk) and Oscar winner Jennifer Connelly (A Beautiful Mind).

Set in the North American summer of 2013 and focusing on the small town of Prescott, Arizona near Phoenix, Only the Brave follows the story of a group of municipal firefighters that are deployed to help fight runaway forest fires in the canyons and mountainous regions in Arizona.

At times, sublime and dangerous, all the men realize that their jobs are extremely risky fighting unpredictable fires which can engulf entire forests in a matter of minutes depending on the wind speed and air temperature.

Brolin plays Eric Marsh, supervisor of the Granite Mountain Hotshots who has to look after a team of 18 men and train them into fighting one of nature’s most unpredictable beasts: wildfires. Marsh takes a chance on Brendan McDonough, a recovering addict superbly played by rising star Miles Teller (War Dogs, Whiplash) while also dealing with his own relationship issues with his headstrong wife Amanda, a standout performance by Jennifer Connelly.

To add gravitas to the cast, Oscar winner Jeff Bridges (Crazy Heart) plays Marsh’s mentor Duane Steinbrink. James Badge Dale (The Departed, The Walk) plays Marsh’s deputy Jesse Steed while Taylor Kitsch (Savages, Lone Survivor) plays McDonough’s friend and fellow firefighter Christopher MacKenzie.

What is most impressive about Only the Brave is the haunting cinematography by Oscar winning Chilean cinematographer Claudio Miranda who won for Ang Lee’s Life of Pi.

Cinematically this film is excellent from vast aerial shots of the dramatic Arizona topography to the inner anguish of the team’s social dynamics as they navigate their own fears and dreams in light of a grueling occupation which seldom takes survivors when the fires rage out of control.

Tron Legacy director Joseph Kosinski really does his best work with Only the Brave assembling a muscular cast to tell a robust narrative filled with searing bravado.

Only the Brave gets a film rating of 8 out 10 and is highly recommended viewing for those that enjoyed Lone Survivor, Dunkirk and the 1991 Kurt Russell film Backdraft.

Thor: Ragnarok

Director: Taika Waititi

Cast: Chris Hemsworth, Mark Ruffalo, Tom Hiddleston, Cate Blanchett, Anthony Hopkins, Jeff Goldblum, Idris Elba, Tessa Thompson, Benedict Cumberbatch, Karl Urban, Ray Stevenson, Scarlett Johansson, Luke Hemsworth, Sam Neill, Taika Waititi

New Zealand director Taika Waititi was Oscar nominated back in 2005 for his Live Action Short film Two Cars, One Night.

Marvel Studios recruited him to inject new life into the Thor films and that he certainly does with Thor: Ragnarok, a neon inspired family feud of mythical proportions featuring Thor played again by hunky Australian actor Chris Hemsworth along with his pesky brother Loki played by Tom Hiddleston and new addition to the family Hela played with vampish delight by Oscar winner Cate Blanchett (The Aviator, Blue Jasmine).

Thor returns to Asgard only to discover that Loki has banished Odin, their father to a virtual retirement home. Upon a brief visit, the brothers discover that Odin, wonderfully played with a sombre delight by Oscar winner Anthony Hopkins (The Silence of the Lambs) has got an elder daughter Hela who was banished from Asgard for being the Goddess of Death and wreaking havoc on the nine realms.

Cate Blanchett relishes her role as Hela, the Goddess of Death, inspired by Maleficent and certainly quite intent on destroying her defiant younger brothers.

Thor and Loki land up on a weird dystopian outer planet overseen by the demonic Grand Master, a superbly camp performance by Jeff Goldblum (Jurassic Park, Independence Day), who immediately instructs Thor to fight in a massive arena against a formidable beast: The Hulk. Enter Bruce Banner aka The Hulk, played with bewildering amusement by Mark Ruffalo (The Avengers, Foxcatcher, Spotlight).

Eventually Thor gets Loki, The Hulk and a hard-drinking Valkyrie played by Tessa Thompson last seen in the HBO series Westworld, to return to Asgard to defeat the demonic Hela who is assisted by a reluctant henchman Skurge played by Karl Urban (Dredd, Star Trek and The Loft).

The only criticism is that the middle section of Thor: Ragnarok detracts from the film’s central narrative, which is essentially a legendary family conflict.

Thor: Ragnarok is a fun-filled comic book film which thankfully does not take itself or the characters too seriously and is a clear indication that Marvel films are definitely trying to create memorable characters for the lucrative toy manufacturing market just before Christmas.

As with all the latest Marvel films, franchise opportunities abound. Thor: Ragnarok is light-hearted and hellishly entertaining. Audiences should look out for a great cameo by Benedict Cumberbatch reprising his role as the illusive Doctor Strange.

If audiences enjoyed The Avengers and the first two Thor films, then they will definitely savour Thor: Ragnarok which is comically inspired from another Marvel hit franchise, The Guardians of the Galaxy.

Thor: Ragnarok gets a film rating of 7.5 out of 10.

The Mountain Between Us

Director: Hany Abu-Assad

Cast: Kate Winslet, Idris Elba, Beau Bridges, Dermot Mulroney

Based upon the novel by Charles Martin, The Mountain Between Us tentatively explores the strained relationship between two strangers who are stranded together on a remote mountain near the Rockies as their two seater plane crashes en route to Denver Colorado from Idaho.

Directed by Hany Abu-Assad who brought such strong films including the Oscar Nominated Foreign Language film Paradise Now and Omar to the international cinema audiences, The Mountain Between Us is held together literally by strong performances by Oscar winner Kate Winslet (The Reader) and Idris Elba (Prometheus, Pacific Rim) who play Alex and Ben.

Alex is trying to get to New York to marry her fiancée Mark briefly played by Dermot Mulroney (Truth, August: Osage County and Stoker), while Ben, a neurosurgeon, is planning on being in New York to perform an operation on a boy with a brain tumour.

As the trailer suggests, things go horribly wrong and Alex and Ben are left stranded on an icy mountain in the Rockies with only themselves to depend upon. At their wits end and with no hint of rescue insight they manage to assist each other in escaping the mountain for safer ground and search for any form of human habitation.

Naturally as their flight to safety becomes increasingly more perilous they began to not only trust each other but also gradually fall in love, despite being complete strangers.

Which goes to show that at the core of human relationships is a basic desire for survival. That desire outstrips any prejudice and preconceived notions of who is best equipped to survive, something which director Abu-Assad took great pains to reveal to the audience.

The Mountain Between Us could have been a brilliant film, but unfortunately it does get weighed down by its own emotional intensity which is a too heavy  and long winded considering that there really are two actors in the entire film.

Swift editing and some effective character backstory would have made Alex and Ben’s fight for survival more fascinating and pertinent. 1 hour and 52 minutes is way too long for two people and a dog to be stranded on a mountain.

The film gets a rating of 7 out of 10 and is recommended for audiences that enjoy romantic disaster films which are rare to say the least.

Geostorm

Director: Dean Devlin

Cast: Gerard Butler, Jim Sturgess, Abbie Cornish, Andy Garcia, Ed Harris, Alexandra Maria Lara, Daniel Wu, Amr Waked, Richard Schiff, Mare Winningham

Scottish actor Gerard Butler (300, Olympus has Fallen) does his I will save the world routine in director Dean Devlin’s fantastic disaster epic Geostorm as Jake Lawson alongside Jim Sturgess (21, Cloud Atlas) as his younger conniving brother Max Lawson and the steely secret service agent Sarah Wilson played by Australian actress Abbie Cornish (Bright Star, Limitless, Robocop).

Romanian/ German actress Alexander Maria Lara (Rush) plays the German astronaut Ute Fassbinder while Cuban actor Andy Gracia (The Untouchables, Night Falls on Manhattan) plays the US president Andrew Palma who is trying to prevent earth from being entirely obliterated by a series of freak weather patterns mainly controlled in space by a massive orbital satellite affectionately known as Dutchboy, named after the fabled hero who stopped the Netherlands from imminent flooding.

Think Firestorms in Hong Kong, Tsunami’s in Dubai, Freezing temperatures on the Ipanema Beach in Rio de Janeiro and Lightning strikes at the Democratic Convention in Orlando, Florida. How ironic considering that the Donald Trump led Republican administration recently pulled America out of the Paris Climate Agreement.

Veteran actor Ed Harris (The Abyss, A Beautiful Mind, Pollock) recently seen in the brilliant HBO series Westworld, a remake based on the iconic 1970’s film, plays Leonard Dekkam.

While Geostorm can be seen as a veiled attempt at illustrating Global warming, it is a reminder that no matter how invincible human beings feel, nature is more powerful. Especially considering the recent geological disasters: Hurricane Irma in the Caribbean and Florida, the recent devastation in Puerto Rico and the deadly earthquake in Mexico City.

Geostorm is a fun-filled, visually impressive popcorn film with some genuine fraternal conflict between the two brothers Max and Jake, the former being a smooth talking government lobbyist (Jim Sturgess) and the latter a gung-ho action man with anger management issues (Gerard Butler).

Like Moonraker meets Gravity with overtones of An Inconvenient Truth, except Geostorm is no documentary but an epic disaster film neatly packaged for American consumerism.

My only criticism is that in Geostorm, America remains relatively unscathed while Mumbai, India, Hong Kong and Dubai are subjected to severe weather patterns which makes for stunning visuals but questionable cinematic ideology.

Audiences that enjoyed The Day After Tomorrow and Armageddon, will love Geostorm. That being said, it is a fun way to spend a Saturday afternoon, without seriously contemplating the 21^st century phenomenon of climate change coupled with rapidly developing digital technology.

The entertaining Geostorm gets a Film Rating of 7 out of 10. Recommended for audiences that like their global warming glossy and romanticized.

This film was kindly sponsored by Ster Kinekor https://movies.sterkinekor.co.za/browsing/ Musgrave Cinemas, Durban, South Africa.

The Snowman

Director: Tomas Alfredson

Cast: Michael Fassbender, Rebecca Ferguson, Charlotte Gainsbourg, Chloe Sevigny, Val Kilmer, J. K. Simmons, James D’Arcy, Toby Jones, Jonas Karlsson, Jakob Oftebro, David Dencik

Norwegian novelist Jo Nesbo’s thriller The Snowman is brought to cinematic life by Iranian screenwriter Hossein Amini and co-written by Peter Staughan. Tinker Tailor Soldier Spy director Tomas Alfredson brings this bleak Norwegian thriller to the big screen with a constantly icy landscape concerning a ruthless and psychopathic serial killer who kills his victims every time the snow begins falling, which in a Scandinavian winter, would be consistently often.

Assembling an international cast including Oscar nominee Michael Fassbender (12 Years a Slave, Steve Jobs) as hard-drinking detective Harry Hole opposite art house actress Charlotte Gainsbourg, the muse of Danish auteur Lars von Trier who starred in such films as Anti-Christ and Nymphomaniac as his ex-girlfriend Rakel, personally I had high hopes for this thriller being a captivating cinematic experience. My criticism is that in The Snowman, the character relationships were not clearly defined, which made navigating this thriller virtually impossible.

Having not read the Jo Nesbo novel, I found this film version slightly lacklustre especially in the slow moving first half. Despite a refreshing change of watching an entire film shot in Norway, The Snowman didn’t quite pack the same verve as David Fincher’s utterly compelling film version of Stieg Larsson’s blockbuster thriller The Girl with the Dragon Tattoo.

Rebecca Ferguson who appeared in Life and Florence Foster Jenkins also stars as co-detective Kathrine Bratt who is harbouring secrets of her own especially as she tries to entice Norwegian businessman Arve Stop played by Oscar winner J. K. Simmons (Whiplash) into a honey trap, since he has a peculiar penchant for photographing beautiful girls. Rarely seen actor Val Kilmer (Kiss Kiss Bang Bang, Heat and Pollock) makes a welcome comeback as Gert Rafto a Bergen based detective following a similar murder case years earlier.

While The Snowman’s narrative visibility is as convoluted as the blurry icy landscape of Oslo and Bergen, the acting comes off as flat and uninspired. Which is a great pity considering the film’s acting talent.

Fassbender does a reasonably good job of bringing some dimension to Harry Hole, the lonely but observant detective, however one gets the sense that he wasn’t committed to the role as he was in director Justin Kurzel’s Macbeth. Although the role of Macbeth is substantially more interesting.

Perhaps the reason for my lukewarm response to this supposedly icy thriller was that I had a nightmarish cinematic experience coupled with expectations that director Tomas Alfredson would make an equally impressive film as his gripping adaptation of John le Carre’s Tinker Tailor Soldier Spy.

The Snowman for all its gripping plot-twists, peppered with gruesome murders, gets a film rating of 6.5 out of 10.

Blade Runner 2049

Director: Denis Villeneuve

Cast: Ryan Gosling, Harrison Ford, Robin Wright, Jared Leto, Dave Bautista, Ana de Armas, David Dastmalchian, Edward James Olmos, Barkhad Abdi, Sylvia Hoeks, Tomas Lemarquis, Mackenzie Davis, Sean Young, Hiam Abbass

When Ridley Scott’s original Blade Runner appeared on cinema screens in 1982 it was hailed as a visionary science fiction film about replicants in Los Angeles in 2019.

The film developed an instant cult following and become a prime example of Post Modern Film Noir, with its blend of 1940’s costumes coupled with a dystopian future of a vast city laid bare by global warming and sinister corporations filled with surreal images of a multi-national world overtaken by replicant animals and a rapidly depleting human population most of whom had gone off world to the colonies in outer space.

Thirty five years later, there is finally a sequel, the highly anticipated Blade Runner 2049 featuring Ryan Gosling as K and veteran actor Harrison Ford reprising his role as Deckard.

Directed by French Canadian Denis Villeneuve, who brought cinema lovers his excellent impressionistic films Arrival and Sicario, this is by far his best and most ambitious film yet.

With Blade Runner 2049 he had a lot of visionary expectations to live up to and with the able assistance of Oscar nominee cinematographer Roger Deakins, Blade Runner 2049 is a visual feast, a mind blowing and sophisticated contemplation on the nature of what humanity is, of what fabricated genealogy is and more significantly where our species are heading in a future increasingly popularized with invasive technology. Artificial intelligence, virtual reality, augmented operating systems to name a few.

If contemporary audiences are expecting a straight forward sci-fi sequel then don’t watch Blade Runner 2049. It’s advisable to watch the first film so that you as a viewer can understand all the cinematic references to the original that Villeneuve densely packs into this version along with some stand out performances particularly by Harrison Ford as the older Deckard as he appears exiled in an abandoned casino in a vacated Las Vegas to Dutch actress Sylvia Hoeks as the uber-cool yet vicious replicant Luv along with Robin Wright as K’s LAPD hard-drinking superior Lieutenant Joshi. Cuban actress Ana de Armas (War Dogs) also stars as a virtual projection of K’s love interest Joi to compensate for his increasing alienation in this post-apocalyptic landscape.

What is most captivating about Blade Runner 2049 is the subliminal images and the dexterous use of colour filters particularly in the chic scenes with new arch villain Niander Wallace played with a psychopathic God complex by Oscar winner Jared Leto (Dallas Buyer’s Club).

The ratcheting up of the pace in Blade Runner 2049 is remarkable especially in the film’s second half elegantly assisted by a phenomenal original score by Hans Zimmer and Benjamin Wallfisch.

To tell audiences anything else about Blade Runner 2049, would be to reveal vital spoiler alerts and sinister plot twists.

Blade Runner 2049 is fantastic cinema on an epic, visionary scale and its magnitude would be lost if viewers saw the film on anything smaller than a massive screen complete with surround sound.

Blade Runner 2049 is superb viewing and gets a film rating of 9 out of 10.

A ravishing tour-de-force in post-modern semiotic brilliance, this film is not to be missed by those that loved the original Blade Runner.

Victoria & Abdul

Director: Stephen Frears

Cast: Judi Dench, Ali Fazal, Olivia Williams, Tim Piggott-Smith, Michael Gambon, Eddie Izzard, Julian Wadham, Simon Callow, Paul Higgins

The unlikely friendship of Queen Victoria and Abdul Karim, a Muslim clerk from Agra who is sent to England from Colonial India to present a special coin to her majesty is the subject of a sumptuous and shrewdly observed film by veteran director Stephen Frears (Dangerous Liaisons, The Queen, Philomena).

Victoria and Abdul has to be viewed in conjunction with the 1997 John Madden film Mrs Brown also starring Oscar winner Judi Dench (Shakespeare in Love) as the grand old queen which in that film follows her widow like infatuation with the Scottish highlander John Brown played by Billy Connolly.

The British director of Florence Foster Jenkins makes a clever narrative choice in telling the story from Abdul’s perspective, as he goes on a fascinating journey into the heart of the English court with its strange pomposity and royal etiquette.

Abdul is expertly played by Indian actor Ali Fazal (Fast and Furious 7), who is handsome, devoted and downright smitten with this cantankerous monarch who sees him as a beautiful embodiment of all that is exotic about the vast subcontinent that was 19^th century colonial India, a country that ironically Queen Victoria was never allowed to visit for fear of being assassinated.

Victoria, much to the horror of her conservative retinue of court staff and advisors, takes a shine to the bold and outspoken Abdul and requests that he become her munchee, her teacher on all things Indian from delicacies like mangoes to religious and cultural practices. A pertinent request considering that at the time, 19^th century India was ruled by England when its rapid colonial expansion globally allowed Queen Victoria to bizarrely assume the title of Empress of India even though she had never set foot on the distant sub-continent.

As the friendship between Queen Victoria and Abdul Karim blossoms at first comically and later as a form of emotional attachment, it becomes the source of anticipated ridicule from her own son Bertie, the Prince of Wales played with suitable arrogance by Eddie Izzard as well as the British Prime Minister Lord Salisbury wonderfully played by Michael Gambon (Brideshead Revisited).

In one of the best lines of the film Lord Salisbury mentions to Queen Victoria at a gorgeous state banquet that the British Empire has annexed Zululand to which the monarch replies whatever for?

In the twilight of her exceptionally long reign and as the 19^th century draws to a close, Victoria realizes that her unconventional friendship with Abdul is her last jaunt at joviality even elevating him to a senior adviser and taking him on a trip to Florence, Italy where they are both fortunate enough to meet Puccini played with panache by character actor Simon Callow (A Room with a View, Maurice).

The cross cultural appeal of Victoria and Abdul should keep international audiences interested in this previously unknown friendship between an aging British monarch and a young, handsome Indian clerk, whose precarious protection at court was only valid while the Queen remained alive.

The shocking end sequence of Victoria and Abdul is a cruel reminder of how colonialism always excluded the other even when they were desperately trying to appease their colonizer.

As a brilliantly observed piece of largely ignored historical fact which only came to light through the discovery of Abdul’s journals in 2010, Victoria and Abdul is a beautiful period film, held together by two magnificently nuanced performances by both Judi Dench and Ali Fazal, both whom deserve Oscar nominations.

Victoria and Abdul gets a film rating of 8 out of 10 and will be enjoyed by audiences that cherished director Gurinder Chadha’s equally impressive Anglo-Indian drama The Viceroy’s House set during the partition of India, half a century in later.

Kingsman: The Golden Circle

Director: Matthew Vaughn

Cast: Taron Egerton, Colin Firth, Julianne Moore, Mark Strong, Channing Tatum, Halle Berry, Pedro Pascal, Jeff Bridges, Edward Holcroft, Emily Watson, Bruce Greenwood, Michael Gambon, Sophie Cookson

Director Matthew Vaughn follows up his 2015 comic book spy debut Kingsman: The Secret Service with a more robust and intensely invested sequel Kingsman: The Golden Circle with a bigger cast and lavish sets reuniting Oscar winner Colin Firth (The King’s Speech) with his A Single Man co-star fellow Oscar winner Julianne Moore (Still Alice) who plays the delusional and garish villain Poppy.

Hot young star Taron Egerton reprises his role of Eggsy, street boy turned bespoke spy, joined by Mark Strong as Merlin who go on an international mission to discover who is destroying The Kingsman headed up by a briefly glimpsed Michael Gambon.

The Kingsman soon join forces with their American counterparts including Channing Tatum as Tequila and Pedro Pascal (The Great Wall) as Whiskey who make up the Statesmen an independent espionage agency housed in a whiskey distillery in Tennessee who come to their aid in tracking down Poppy and her evil plan of causing all drug users in the world to die through lacing their fix with a lethal concoction which causes purple veins, paralysis and death.

As Kingsman adopt the Doomsday Protocol, Eggsy and Merlin embark on a dangerous mission with the help of Whiskey as they travel to the Italian Alps to retrieve an antidote in an action packed ski cable car sequence which is clearly a skit on the 007 film On Her Majesty’s Secret Service.

Even Poppy’s drug liar deep in the Cambodian jungle, aptly named Poppyland is a skit on another Bond film The Man with the Golden Gun.

While the action in Kingsman: The Golden Circle is clearly hyper-visualized and the plot is completely outlandish, it’s the sort of Saturday afternoon popcorn film which is pure escapism even though its subliminal messages are morally questionable.

With Oscar winner Halle Berry (Monster’s Ball) as Statesman tech genius Ginger, The Kingsman: Golden Circle is a clear skit on the 007 franchise with a more lurid twist making our dapper hero Eggsy appealing to the millennial’s and definitely is more successful as a cleverly cast spy caper.

If audiences enjoyed the first Kingsman, then they will enjoy this extravagant and better orchestrated sequel. Kingsman: The Golden Circle gets a Film Rating 7 out of 10.

The Glass Castle

Director: Destin Daniel Cretton

Cast: Brie Larson, Woody Harrelson, Naomi Watts, Ella Anderson, Sarah Snook, Max Greenfield, Josh Caras, Iain Armitage, Sadie Sink, Brigette Lundy-Paine

Hawaiian director Destin Daniel Cretton’s cinematic adaptation of the bestselling novel by Jeanette Walls The Glass Castle is an emotional and intricate exploration of a dysfunctional family’s unconventional upbringing.

The Glass Castle stars Oscar nominee Woody Harrelson (The People vs Larry Flynt, The Messenger) as the patriarch Rex Walls and Oscar nominee Naomi Watts (21 Grams, The Impossible) as his wife Rose Mary. Oscar winner Brie Larson (Room) stars as the grownup second daughter Jeanette who would eventually turn from gossip columnist writer to bestselling author of the novel from which the story is based.

Ella Anderson plays the younger version of Jeannette who has to deal with her poverty-stricken parents as they grow up in the backwater of West Virginia, often living in abandoned buildings and scrounging for food money.

At the film’s outset it is clear that Jeannette has a special bond with her heavy drinking, big dreaming and often delusional father Rex who keeps promising her and her siblings (two sisters and a brother) that he is going to build the family a glass castle from which they can glimpse the stars through.

As the narrative shifts between New York in 1989 and her poverty stricken upbringing in rural West Virginia, The Glass Castle intelligently explores the concepts of sustainable living, of living off the grid and repudiating the city driven Capitalist work ethic which defines contemporary America.

The mother Rose Mary is too busy painting to watch her children, never mind feed them while the father Rex is too busy drinking to actually get a proper a job to support his family. Woody Harrelson gives one of the best performances of his screen career as Rex Walls as he manipulates and misguides the family into believing that he has the capacity to actually take care of them.

Eventually the young Jeannette says to her siblings that they have to make their own plans to save up money and leave West Virginia for more lucrative work opportunities in New York.

Fast forward to 1989, where the older Jeannette, beautifully played with nuance and comprehensive emotional intelligence by Brie Larson who as a successful journalist on the verge of marrying her straitlaced accountant fiancée David played by Max Greenfield (The Big Short) suddenly has to contend with her parents squatting on the Lower East Side in an abandoned building.

Josh Caras, Brigette Lundy-Paine and Sarah Snook (The Dressmaker, Steve Jobs) play the other siblings Brian, Maureen and Lori.

The best scenes in The Glass Castle are between Brie Larson and Woody Harrelson and while the film is an emotional joyride, it does not give the parents any social accountability for the way they brought up their children through neglect and apparent starvation.

The Glass Castle is a fascinating exploration of familial responsibility or lack thereof and the emotional effects that irresponsible parents decision making can have on their unsuspecting children.

The drama gets a film rating of 8 out 10.

The highly underrated Woody Harrelson should received a Best Supporting Actor Oscar nomination for his performance as Rex Walls in the upcoming 2018 Academy Awards.

The Glass Castle is recommended viewing for those that enjoy a tense, sometimes difficult family drama where the children are told to pick stars while they are starving on earth.