Posts Tagged ‘Jon Bernthal’

Spiderman: Brand New Day

Director: Destin Daniel Cretton

Cast: Tom Holland, Zendaya, Sadie Sink, Jon Bernthal, Mark Ruffalo, Jacob Batalan, Florence Pugh, Lisa Colon-Zayas, Tramell Tillman, Marisa Tomei

Running Time: 2 hours and 25 minutes

Film Rating:  8 out of 10

Tom Holland, the 30 year old star of the Spiderman franchise has come a long way from his first Spiderman film which was released back in 2017, when he was just 21 years old. From Spiderman: Homecoming to Spiderman: Brand New Day, Holland has embraced the role of the legendary New York web slinger as he grew from a high school kid that discovered superhero powers to his latest film as a late twenties young man who is finding his new powers both a burden and a blessing.

Five years after Spiderman: No Way Home, Shang-Chi and the Legend of the Ten Rings director Destin Daniel Cretton injects some oriental charm into Spiderman: Brand New Day in the form of red clad ninjas. When the trailer for this film was released, I knew it would do well at the box office.

After all who doesn’t love Spiderman fighting ninjas?

The cinema houses will be packed. Indeed they are. This film is showing in multiple cinemas at every cinema house across the planet.

Along with an extremely buff and competent Tom Holland as Spiderman, Zendaya reprises her role as the elegant MJ along with Oscar nominee Mark Ruffalo (Foxcatcher, Poor Things) as Bruce Banner aka The Hulk and Jacob Batalan as Ned Leeds.

In the first three films there was always a clear villain. In Spiderman: Brand New Day, the villain is an elusive shape shifter that can enter people’s bodies and move onto the next one, which in a city like New York that becomes extremely handy.

Enter the fabulous Sadie Sink (The Whale) as the vengeful Jean Grey as she tries to penetrate the ironically named department of damage control led by Bill Metzer played by Tramell Tillman.

Before Spiderman can meet his younger, fierce and feisty villain, he must battle The Hulk and flying red ninja’s in some epic and beautifully shot fight sequences whose impressive visual effects should be rewarded.

Naturally the chemistry between Zendaya and Tom Holland is undeniable but it is really Holland’s growth into the role of Spiderman that is most exhilarating and is the reason this film is so spectacular. A notable scene between Spiderman and Yelena Belova from Black Widow fame is clever and quite sexy as they meet in a steam bath. Oscar nominee Florence Pugh (Little Women) reprises her role as Yelena Belova as she helps Spiderman figure out what Jean Grey wants.

Coupled with the buddy scenes between Tom Holland and Jon Bernthal, Spiderman: Brand New Day works on multiple levels as a fantastic superhero film with high production values in the capable hands of the Hawaiian director that knew exactly what would make this film so successful.

Set entirely in New York, Spiderman: Brand New Day is a celebration of one of the most iconic superhero’s as he outgrows his teenage years and becomes a capable and brave man, trying to win back the girl he loves while dealing with the loss of his beloved aunt May played in flashback scenes by Oscar winner Marisa Tomei (My Cousin Vinny), while battling malevolent forces and looking after his own health.

Director Destin Daniel Cretton’s Spiderman: Brand New Day gets a film rating of 8 out of 10 and is darker in tone but is definitely worth seeing.

Highly recommended viewing for those that love the entertaining web slinging franchise.

The Odyssey

Director: Christopher Nolan

Cast: Matt Damon, Anne Hathaway, Tom Holland, Charlize Theron, Corey Hawkins, Logan Marshall-Green, Robert Pattinson, Zendaya, Jon Bernthal, Mia Goth, Samantha Morton, John Lequizamo, Benny Safdie, Himesh Patel, Jovan Adepo, Andrew Howard, Lupita N’yongo, Shiloh Fernandez, Elliot Page

Running Time: 2 hours and 52 minutes

Film Rating: 9 out of 10

After winning the best director Oscar for Oppenheimer back in 2023, Christopher Nolan takes on the daunting and dazzling task of bring Homer’s The Odyssey to the big screen and he succeeds in a majestic epic worthy of every accolade available come awards season.

The Odyssey is truly breath taking, horrifying and riveting held together by a plethora of stunning performances mainly by Matt Damon as Odysseus the lost king of Ithaca who goes away and fights in the Trojan wars and leaves his wife Penelope and young son Telemachus alone and unprotected.

Odysseus does go an epic war adventure from the bloody and ruthless capture of Troy using the infamous Trojan horse to travelling to a series of mythical islands along with his brave group of warriors as they collectively encounter cyclops, son of Zeus and the witch Circe, a terrifying performance by Oscar nominee Samantha Morton (Sweet and Lowdown, In America) who deserves another Oscar nomination, before Odysseus is washed ashore on another island and held by Calypso played by Oscar winner Charlize Theron (Monster).

He has no memory and has no idea what is happening back in Ithaca or what happened to his soldiers.

Back in Odysseus’s homeland, his now grown up son Telemachus expertly played by Tom Holland is trying to pacify the group of vicious suitors as they feast nightly at his mother’s palace. Penelope fantastically played by Oscar winner Anne Hathaway (Les Miserables) is regal and unrelenting for she will not succumb to the wishes of these men who sense her vulnerability while her legendary husband is lost in the Aegean Sea. The Odyssey is as much about an adventure as it is about the family: a mother, father and a son who is trying to salvage his inheritance while clinging onto the dream that his kingdom will survive.

Anne Hathaway is extraordinary as Penelope especially in the scenes with her and her primary suitor the ruthless Antinous brilliantly played by Robert Pattinson who also deserves an Oscar nomination.

Will Odysseus come back and save Ithaca? Has the ancient world truly recovered after the Trojan wars or has the very foundations of ancient Greece been undermined causing the Gods to seek vengeance?

Christopher Nolan is a master at world building and antiquity is no exception, from the beautiful costumes by Ellen Mirojnick to the production design by Ruth de Jong, the aesthetics of The Odyssey are visually astounding accompanied by the pristine cinematography by Hoyte van Hotema in an epic poetic narrative which is as much about war and betrayal, as it is about love and vengeance.

On every level The Odyssey is monumental, an unmatched cinematic achievement which will draw the audience in from the sapphire ocean voyage among strange islands to the final climatic scene in the palace of Ithaca whereby Penelope has to test the mettle of her lustful suitors. For she knows that in the world of men, she has to show her own strength.

Possible acting Oscar nominations for Anne Hathaway, Matt Damon, Samantha Morton and Robert Pattinson but definite nominations for Best Picture, Best Director, Best Cinematography, Best Production Design and Best Sound.

See The Odyssey for the Battle of Troy. See the Odyssey for the vengeance of Odysseus. See The Odyssey for an imaginative retelling of Homer’s classic epic poem about the voyages of a strategic warrior and the impending fall of an empire.

Highly recommended viewing The Odyssey gets a film rating of 9 out of 10 and is absolutely essential viewing on the biggest screen possible.

The Accountant 2

Director: Gavin O’Connor

Cast: Ben Affleck, Jon Bernthal, Cynthia Addai-Robinson, J. K. Simmons, Daniella Pineda, Robert Morgan, Andrew Howard, Grant Harvey

Running Time: 2 hours and 12 minutes

Film Rating: 7 out of 10

Warrior director Gavin O’Connor returns to the director’s chair nine years later to helm the sequel to the 2016 film The Accountant simply titled The Accountant 2 assembling much the same cast including Ben Affleck, Jon Bernthal and Cynthia Addai-Robinson.

Oscar winner Ben Affleck (Argo, Good Will Hunting) returns to the character of Christian Wolfe the autistic accountant who doubles as money launderer and tough guy who this time teams up with his younger brother Braxton superbly played with just the right amount of annoyance and arrogance by Jon Bernthal (The Wolf of Wall Street). The fraternal relationship between Christian and Braxton is brilliantly played on screen by the two actors who get that brotherly love right, which borders somewhere between affection and irritation with some competitiveness thrown in.

While the storyline by Bill Dubuque in this sequel is slightly confusing initially, he does introduce a more interesting character, that of Anais, an international assassin with a hidden past, whose memories could unlock a ruthless child trafficking ring operating between America and Mexico. Anais is well played by Mexican-American actress Daniella Pineda (Jurassic World: Dominion).

The child trafficking ring is run by the evil Burke, a middle level gangster who feels nothing at ordering the death of children. Burke is played by Robert Morgan with his henchman Cobb played by Grant Harper who was in the excellent TV show Animal Kingdom set in Southern California.

The Accountant 2 starts off with a hectic action scene in which one major character from the first film is eliminated and Cynthia Addai-Robinson who reprises her role as Marybeth Medina is asked to seek the assistance of Christian Wolfe.

Jon Bernthal really saves this sequel from being entirely boring and is excellent as the brash and dangerous Braxton, the antithesis to his older autistic brother Christian well played by Ben Affleck who makes a welcome return to the big screen after a long absence.

Set in locations from Los Angeles to Juarez in Mexico, from Berlin to Prague, The Accountant 2 is an interesting film made livelier by Jon Bernthal who is the most likable character. A third Accountant film is in the works, so let’s hope the finale is a lot flashier and entertaining.

If you enjoy action thrillers with an inventive storyline, then The Accountant 2 is recommended viewing and gets a film rating of 7 out of 10.

Worth seeing just to watch the killer brothers takes down the bad guys.

The Amateur

Director: James Hawes

Cast: Rami Malek, Laurence Fishburne, Jon Bernthal, Rachel Brosnahan, Holt McCallany, Julianne Nicholson, Michael Stuhlbarg, Caitriona Balfe, Danny Sapani, Marc Rissmann, Joseph Millson

Running Time: 2 hours and 3 minutes 

Film Rating: 7.5 out of 10

Oscar winner Rami Malek (Bohemian Rhapsody) made a convincing Bond villain in the 2021 smash hit No Time to Die but as a leading action hero his status is dubious at best.

However, One Life director James Hawes took a chance on Rami Malek as a leading man in the new spy thriller The Amateur which is like a nerd’s guide to the Jason Bourne franchise without the guns, fistfights and car chases.

Malek plays the extremely clever CIA data analyst Charlie Heller whose beautiful wife Sarah played by The Marvellous Mrs Maisel and House of Cards TV star Rachel Brosnahan who gets murdered in a terrorist attack in London while in the British capital on a business trip.

Charlie senses a CIA cover up and ignores orders not to go after the Belarussian terrorists responsible and decides to go rogue with enough hacking skills to break through any firewall.

First Charlie seeks the assistance of tough guy Henderson played with a welcome return to the big screen by Oscar nominee Laurence Fishburne (What’s Love Got to Do With it) who attempts to train him to become a killer. While Charlie doesn’t take to firing guns at bad guys he discovers a penchant for explosives and detonators which can so easily be digitally triggered.

As Charlie seeks creative revenge on the terrorists and their leader Schiller played by Michael Stuhlbarg (The Shape of Water, Call Me by Your Name), he globe trots from London to Paris to Marseilles and eventually to Istanbul where he catches up with a CIA asset the mysterious Inquiline, briefly played by Irish actress Caitriona Balfe (Ford v Ferrari, Belfast, Money Monster).

The Amateur is an enjoyably different spy thriller as Rami Malek makes for a usual spy while all the CIA hotshots played by Holt Callany and Julianne Nicholson are one step behind him.

The cinematography by Martin Ruhe was not good, many scenes appeared extremely dark and badly lit and the scriptwriters Ken Nolan and Gary Spinelli battled to get some character dimension into a rather bland screenplay adapted from the novel by Robert Litell.

Despite these drawbacks, The Amateur is an entertaining if slightly overlong film which is heavy on tech gadgets and light on action. Although there is one brilliant scene when Charlie kills a man in a rooftop swimming pool in a plush Spanish hotel. His creative revenge pays off.

If you enjoy a unique spy revenge thriller then catch The Amateur in cinemas now. The Amateur gets a film rating of 7.5 out of 10 and is no Jason Bourne but it just proves that never underestimate the tech guys in the basement level. Recommended viewing.

Rami Malek is excellent in the main role, especially being cast against type.  

King Richard

Director: Reinaldo Marcus Green

Cast: Will Smith, Aunjanue Ellis, Jon Bernthal, Dylan McDermott, Noah Bean, Demi Singleton, Kevin Dunn, Tony Goldwyn, Dylan McDermott

Film Rating: 7.5 out of 10

Running Time: 2 hours and 24 minutes

Oscar nominee Will Smith (Ali, The Pursuit of Happyness) portrays the overbearing and protective father of the tennis prodigies Venus and Serena Williams in the oddly titled film King Richard directed by Reinaldo Marcus Green.

Initially set in Compton in South Central Los Angeles in the early 1990’s Richard Williams is determined to turn his daughters into world class tennis stars but lacking the resources to do so, he often takes Venus and Serena to more plush parts of the city for them to practice in affluent country clubs.

As a father he sees the potential in Venus played by Saniyya Sidney and Serena played by Demi Singleton while also contending with three other daughters and a sceptical yet supportive wife Brandy played by Aunjanue Ellis (If Beale Street Could Talk, Ray).

As a biopic about the inspiration behind the phenomenal success of the Venus sisters in the World Tennis circuit, King Richard is an oddly dysfunctional film, lacking in a smooth directorial style by Reinaldo Marcus Green and at over two hours, the film could have been edited more efficiently, especially in the drawn out first half.

Will Smith is brilliant as Richard Williams, the pushy and controlling father who sees the sporting potential in his daughters yet is often at odds with the snobbish attitudes of the tennis circuit and its country club and also frequently fights with the smooth talking eager tennis coach Rick Macci superbly played by Jon Bernthal (The Wolf of Wall Street, Baby Driver, Fury) in one of his best on screen performances.

It’s only in the second half, when the Williams family moves to Florida, does the film find its footing. Unlike such flashy films as Ron Howard’s Rush or Bennett Miller’s contemplative Moneyball, director Reinaldo Marcus Green’s King Richard is an uneven film held together by an excellent performance by Will Smith, who along with his wife Jada Pinkett Smith were also producers on the film.

With the exception of Jon Bernthal, Tony Goldwyn and Dylan McDermott have hardly any screen time and not enough emphasis is placed on the actual success of the now international tennis stars Venus and Serena Williams. Even the actresses that play the younger versions of themselves have limited exposure in the narrative.

It’s only in the second half of King Richard that their determined characters shine through. Unfortunately at times, Will Smith takes over too many scenes as the overbearing father Richard Williams, which was probably intentional. Whether his performance will get recognised during the 2022 Oscar season remains to be seen.

King Richard gets a film rating of 7.5 out of 10 and is an interesting film about the origin story of two unbelievably talented tennis stars: Serena and Venus Williams, who become an inspiration for many and achieved international fame.

Recommended viewing for those that enjoy a fascinating biopic and of course tennis.

Those Who Wish Me Dead

Director: Taylor Sheridan

Cast: Angelina Jolie, Nicholas Hoult, Finn Little, Jon Bernthal, Aiden Gillen, Jake Weber, Medina Senghore, Tyler Perry

Oscar winner Angelina Jolie (Girl, Interrupted) lights up the screen in Taylor Sheridan’s adaptation of a novel by Michael Koryta entitled Those Who Wish Me Dead which centres on a fire jumper Hannah played by Jolie who becomes the protector of a young boy named Connor played by Finn Little after he witnesses his father being murdered by two heartless assassins Patrick and Jack played respectively by Nicholas Hoult (The Favourite, A Single Man) and Aidan Gillen (Bohemian Rhapsody, King Arthur: Legend of the Sword).

The father Owen, a forensic accountant came across some dodgy financial dealings and was targeted by a crime boss Arthur played by Tyler Perry (Gone Girl).

Unfortunately, the writer of Hell or High Water and Wind River, Taylor Sheridan who also directs this explosive action thriller does not provide sufficient background information on the motives for the killings or even frame the plot within a larger context which is the inherent weakness of a film, which should have been great, but turns out to be average. This is despite the star power of Angelina Jolie who simply looks too beautiful to be a fire jumper in the Montana wilderness.

Jolie should stick to doing more prolific roles like Maleficent.  Even Nicholas Hoult who was so good in the Oscar winning film The Favourite opposite Rachel Wiesz and Olivia Colman, was wasted in a film with minimal dialogue although due to Hoult’s massive physique he was impressive as the ruthless assassin Patrick who has to battle Hannah as she attempts to protect Connor during a raging forest fire.

Jon Bernthal (The Wolf of Wall Street) stars as the county sheriff Ethan who gets caught up in the middle of the action as the assassins go after Connor as he is left to fend for himself with the help of Hannah in the Montana wilderness. Hannah keeps telling Connor to run to the rivers which leads to the towns and to safety.

The action scenes in Those Who Wish Me Dead are very impressive and the forest is almost a character on its own, however the dialogue and the back story for this confusing action thriller needed to be clearly developed. Which is considerably disappointing since director Taylor Sheridan was the writer and director of such brilliant films as Wind River and the Oscar nominated Hell or High Water.

Those Who Wish Me Dead is an explosive action thriller with Angelina Jolie taking the lead as the gung ho gorgeous heroine, which is light on dialogue and heavy on action and suspense. This film is fun and enjoyable but the story is too weak to make the viewers empathise sufficiently with the plight of the characters.

For those that enjoy an action heavy adventure story, catch Those Who Wish Me Dead in cinemas now. This Montana set action thriller gets a film rating of 6.5 out of 10.

Those Who Wish Me Dead is now showing in Cinemas

Ford v Ferrari

Director: James Mangold

Cast: Matt Damon, Christian Bale, Caitriona Balfe, Josh Lucas, Jon Bernthal, Tracy Letts, Jack McMullen, Ray McKennon, Noah Lupe, Joe Williamson

Walk the Line and Logan director James Mangold expertly tackles the world of motor racing in the exhilarating and brilliantly filmed Ford v Ferrari starring Oscar winner Christian Bale (The Fighter) as Ken Miles and Oscar winner Matt Damon (Good Will Hunting) as American car designer Carroll Shelby.

Shelby and Miles form a formidable bond as they become corporate pawns by Ford Motor Company based in Detroit, Michigan headed by Henry Ford II superbly played by Tracy Letts (August: Osage County) who aided by his ambitious marketing executive Lee Iacocca played by Jon Bernthal (The Wolf of Wall Street) and VP Leo Beebe played by Josh Lucas is determined to build the fastest American racing car to beat Ferrari at the international grueling 24 hour race Le Mans, in France in 1966.

Ford v Ferrari establishes the corporate politics and the sheer desire to win before the historic race at Le Mans along with the growing friendship that Shelby and Miles cement over fast cars, adrenalin and the absolute need for speed much to the amusement of Shelby’s wife Mollie Miles played by Irish actress Caitriona Balfe (Now You See Me, Money Monster).

Balfe holds her own in a predominately male film about motor racing particularly highlighted in a superb scene when her character Mollie confronts her husband Ken about his racing ambitions while she is driving the family station wagon. More significantly is the poignant relationship Ken has with his young son Peter wonderfully played by Noah Lupe as they bond over the power of speed racing and the thrill of the racetrack.

Aided by a comprehensive script by Jez Butterworth, John-Henry Butterworth and Jason Keller, Ford v Ferrari is an insightful look at the 1960’s world of professional motor racing, the Adrenalin and the human cost incurred by the drivers as they battle to win and control the cars they are driving at vicious speeds in order to impress their corporate sponsors like Ford or Ferrari.

Christian Bale and Matt Damon’s intelligent on screen performances hold this two and a half hour Adrenalin fueled period film together about the historic events that led up to the Le Mans race in 1966.

Ford v Ferrari is a powerful film expertly directed and edited and is highly recommended viewing for those that love motor car racing. It’s a beautifully crafted film in a similar vein to Ron Howard’s 2013 film Rush starring Chris Hemsworth and Daniel Bruhl.

Ford v Ferrari gets a film rating of 8.5 out of 10 and is worth seeing not only for the superb acting but also for the unbelievable racing supplemented by the handsome production design. Highly recommended viewing but not suitable for young children.

Ford v Ferrari won two Oscars at the 2020 Academy Awards –

Best Achievement in Sound Editing – 2020

Best Achievement in Film Editing – 2020

Widows

Director: Steve McQueen

Cast: Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Liam Neeson, Colin Farrell, Jacki Weaver, Daniel Kaluuya, Robert Duvall, Jon Bernthal, Carrie Coon, Manuel Garcia-Rulfo, Brian Tyree Henry, Garrett Dillahunt, Cynthia Erivo

In a labyrinth tale which at times is difficult to follow, 12 Years a Slave and Shame director Steve McQueen weaves a tangled web in the contemporary Chicago crime drama Widows featuring an outstanding ensemble cast including a brilliant Viola Davis, Oscar winner for Fences, Oscar nominees Daniel Kaluuya (Get Out) as a ruthless hitman, Jacki Weaver (Animal Kingdom) as a pushy Polish mother along with Oscar winner Robert Duvall (Tender Mercies) as Colin Farrell’s hectic father Tom Mulligan.

What sets Widows apart is that McQueen frames the film as a gritty more complex version of Oceans 8 with pivotal roles for Viola Davis, Elizabeth Debicki (The Tale) and Michelle Rodriguez as three widowed woman who decided to band together and conspire to do a heist to rob from alderman Mulligan played by Colin Farrell who is in a turf war with his contestant a rising African-American politician Jamal Manning played by Brian Tyree Henry (Hotel Artemis).

Daniel Kaluuya plays the insanely evil and vindictive younger brother Jatemme Manning who feels nothing as he tortures a snitch in a wheelchair or makes victims sing before executing them at point blank range.

Director Steve McQueen frames every shot with a keen eye for detail especially the excellent scenes with Viola Davis as she comes to terms with her husband and thief Harry Rawlings explosive demise, shot in a series of intimate flashbacks scenes made more poignant that action star Liam Neeson plays the street savvy thief Rawlings.

What Widows does offer is a sophisticated treatment of contemporary American race relations, inner city corruption, poverty and crime of which there is plenty in this film.

McQueen lets certain scenes linger too long while allowing others to be cut so short that their explosive nature is electrifying. Where he is excels is at is controlling this massive and diverse ensemble cast.

Veteran star Robert Duvall has a fairly major role as the paternal Trumpesque figure Tom Mulligan who is trying to retain his family’s supremacy in the political environment despite his son Jack’s dubious double dealing whose only achievement is offering dollar signs and empty promises.

Equally refreshing is to see Fast and Furious star Michelle Rodriguez in a more substantial role as she battles to keep her family together after her Latino husband Carlos, a briefly seen cameo by Manuel Garcia-Rulfo perishes in Rawling’s heist that goes terribly wrong.

Widows gets a film rating of 7.5 out of 10 and has a massive twist which should keep audiences riveted in a sprawling crime drama held together by superb acting. Highly recommended viewing.

Baby Driver

Director: Edgar Wright

Cast: Lily James, Ansel Elgort, Kevin Spacey, Jon Hamm, Jamie Foxx, Jon Bernthal

While the trailer is cool and the cast is hip, Baby Driver delivers some cool stunts as a sequential car chase film with its sweet looking leads Baby played by Ansel Elgort and Debora played by rising British star Lily James.

With a fabulous soundtrack, Edgar Wright’s crime caper Baby Driver, clearly inspired by Pulp Fiction is thrilling to watch, with a great fast-paced narrative, transplanting the action from Los Angeles to Atlanta, Georgia it does get weigh down by its own super-cool importance and could have been edited by at least 20 minutes.

Oscar winner Kevin Spacey (The Usual Suspects, American Beauty) plays crime boss Doc who hires Baby played by Ansel Elgort as a bank robbery get a way driver because of his fast skills behind the wheel. That and the fact that Baby doesn’t get fazed by the traffic, the cops or his fellow henchman. Baby starts re-evaluating his crime driving does when he meets the sweet Southern diner waitress Debora played by Lily James (Cinderella, Wrath of the Titans).

Soon Baby wants out but has to contend with a new and vicious crew headed by the psychopathic Bats wonderfully played by Oscar winner Jamie Foxx (Ray) and equally threatened by the crazy gun-wielding Buddy played by Mad Men star Jon Hamm (The Town, Million Dollar Arm).

Audiences should expect lots of car chases, a really cool soundtrack and a crime caper with as many twists and turns as a Southern freeway. Despite the hype surrounding Baby Driver and its ode to all things Americana – The Cars, The Diner, the Freeway, director Edgar Wright places too much emphasis on trying to encode the narrative with a moral undertone which doesn’t quite work especially towards the end of the film.

Basically, despite all the violence, money grabbing and loads of action, the end result is crime doesn’t pay – which is ultimately a bizarre sentiment to portray in a film such as Baby Driver which glorifies crime, violence and greed, making all three look hip, cool and attainable especially in a fast car.

Baby Driver is a stylish and entertaining ride, but don’t expect the cinematic journey to live up to the hype. Nevertheless its still a fun way to spend an afternoon at the movies.

For the young and the fast, Baby Driver gets a film rating of 7.5 out of 10 and recommended for audiences that enjoyed Pulp Fiction and all sorts of sleazy, pulpy crime thrillers which the Americans are so fond of making. The irony is that director Edgar Wright is British…

The music is the best thing in this action flick!

The Accountant

Director: Gavin O’Connor

Cast: Ben Affleck, Anna Kendrick, J. K. Simmons, Jon Bernthal, Jeffrey Tambor, John Lithgow, Cynthia Addai-Robinson, Jean Smart, Alex Collins

American director Gavin O’Connor likes to show the sources of fraternal fiction in his films. His most notable film Warrior was about two estranged brothers who reconnect over their hapless and heavy drinking father, in an Oscar nominated performance by Nick Nolte, who trains both his sons in a mixed martial arts tournament in New Jersey.

Now with a bigger budget and sleek production design, O’Connor teams up with A-List star Ben Affleck in the tense action thriller The Accountant set in Chicago enhanced by crisp cinematography by Seamus McGarvey.

Oscar winner Ben Affleck (Argo, Good Will Hunting) plays the autistic and highly efficient Christian Wolfe, a maths savant who is hired by a shady Robotics company to do their books. While accounting does not sound sexy, The Accountant makes spreadsheets lethal and thrilling as he soon uncovers massive discrepancies in the company’s financials with the assistance of Dana Cummings played by Oscar nominee Anna Kendrick (Up in the Air).

Meanwhile, Treasurer Financial crimes investigator Ray King superbly played by Oscar winner J. K. Simmons (Whiplash) enlists the help of Marybeth Medina played by British actress Cynthia Addai-Robinson (Colombiana) to investigate the mysterious maths savant who has a perfect shot.

Medina soon uncovers who the real Christian Wolfe is, a money launderer and racketeer to some of the most dangerous organised crime syndicates internationally, the real reason why some of Wolfe’s clients can pay him in original paintings by Renoir and Jackson Pollock.

Through a series of flashbacks, O’Connor takes audiences into the troubled childhood of Wolfe who was brought up by his military trained father in a variety of exotic cities and teaches Christian and his younger brother Braxton how to survive in a hostile world.

The Accountant is a revealing action thriller held together by a tightly wound performance by Affleck as he battles not only the demons in his past but the current enemies in the shady corporate world, who will stop at nothing to silence the financial intrigue and cover up involved in taking a robotics company onto the New York stock exchange as a lucrative initial public offering.

Audiences should watch out for inventive cameo’s by Transparent star Jeffrey Tambor as Francis Silverberg and Fargo star Jean Smart as Rita Blackburn.

This is an engaging thriller which never loses hold of its numerous plot twists. The Accountant is an edge of your seat action movie in which all the pieces of the jigsaw puzzle finally fit together at the end. An absorbing and gripping film with excellent sound effects.